UMS "Agram" : The Bust Saga (part 4) < Articles < Hobby

The Bust Saga (part 4)

Goran Krunić, 2nd May 2021

If you are a bit older and from Zagreb, you probably remember Saga o Pičekima? If not, the joke will elude you. Well, hopefully beside the Croatian pun, you will like the rest of this saga. Goran and Marko will take you on a miniature painting journey while they build and paint one and the same bust for their Admin Challenge. Why call it a saga? Because everyone who knows them knows this will take a while to finish.... They chose a bust by Crecy Models that comes in two options – as King Ladislav Jagellone and as Grand Master of Teutonic Order Ulrich von Jungingen. Goran and Marko will do different versions...

MARKO: What I forgot last time, this time I stol… borrowed and brought with me to the Hobby Corner on Wednesdays. A technical pencil. I lightly sketched on both shields the elements (a checkered plate on one plus a half lion half a bird on the other). After being relatively pleased with the look, I set out to apply the base paints. Then I added a couple of highlights to the design. This is enough for this phase since I plan to add light weathering towards the end of the painting.

GORAN: This time I continued to work on the cloak, with the same color palette as last time. The colors used are Scale75: Rainy Gray, Nacar, Birch and Mojave White. Here it is important to note that I used a fairly diluted paint, which is also called glazing. I think I could work with an even thinner color and be more patient, but even this is more than good for my skill level.

I first set out to fix the shadows using Rainy Gray. I drew the shadows by taking a slightly thicker brush (2 from the da Vinci Maestro series for example), and where the recess in the mantle was widest I applied the most pressure with the brush, so that the most paint would accumulate there. Then, while the shadow paint on the miniature was drying, I set off with a mixture of Rainy Gray and Nacar to fix the transitions between the shadow and the area next to the shadow, as they seemed relatively uneven and rough (although the roughness turned out to be a texture mantle).

MARKO: Then I set out to work on the cloak. If you remember, last time there were white stains from washing. This time I managed to cover those and add a few more layers of shadows ... As the cloak goes towards the shoulders, so the color becomes lighter. At least that's the idea.

GORAN: Then I set out to lighten the shields on the shoulders and even out the layers of a lighter color, with pure Nacar. I also further evened out the layers and thickness of the lighter colors on the shields on the shoulders, also using Mojave White.

Then I started to smooth the transitions towards the lighter parts of the crease with an equally clean Nacar, here I leaned the brush against the crease itself, and I evenly smoothed the transitions near the tops of the creases with equally uniform movements towards the lighter part of the crease. Then, with a mixture of Nacar and Birch, I started to lighten the tops of the folds, the same technique of applying the brush to the folds, and uniform movements towards the lighter part of the folds. In the next step, I used Mojave White, and I additionally lightened the creases with the brush application technique along the crease tips.

MARKO: For the end, I painted the fabric on the bust’s chest in a base red color. After I paint every layer on the gown, only then will I add the white eagle.

Latest articles

Miniature Painting Workshop - 75mm Dwarf

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	On 09-10.05.2026. we held a new weekend miniature painting workshop. This time it was the turn of a dwarf in 75mm scale.

	

	




The workshop was held over two days (a whole weekend) and the participants painted a 75mm miniature dwarf. The focus of these lectures was painting various textures - metal, human skin, textiles and leather. Water-based acrylic paints were used in the workshop. For this purpose, the workshop leader, Ivan Knezović, chose a 75mm miniature dwarf from Durgin Paint Forge, sculpted by Carlos Perez Bugedo. The lectures were adapted so that the leader devotes equal time to all participants and can be adapted to all categories of miniaturists (from beginners to slightly more advanced).



	

	

	

	


The workshop took place as follows:

	First, the lecturer sits at his desk and explains and demonstrates each step in painting a miniature/model on his specimen. His work is displayed on a screen via a camera and projector, which the participants listen to, watch, and ask questions about.

	Then, the participants sit at their desks and apply the knowledge they have gained. The facilitator circulates among the participants and checks how each participant is doing. This way, he or she can adapt to each participant individually.




	

	

	

	The workshop will include the following thematic units:

	1. NMM (Non metallic metal)

2. Reflections of ambient colors on metal

3. Steel / gold

4. Face painting (male)

5. Adding vibrancy to the face (filters)

6. Extracting textures from fabric, metal and leather

	

	

	POWERED BY: Carta Magica, Fireball Figurines, Durgin Paint Forge, Playsupport
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	09-10.05.2026. smo održali novu vikend Radionicu bojanja minijatura. Ovoga puta na redu je bio patuljak u 75mm mjerilu.

	

	Radionica se provodila kroz dva dana (cijeli vikend) i polaznici su bojali 75mm minijaturu patuljka. Fokus ovih predavanja bilo je bojenje raznih tekstura – od metala, ljudske kože, tekstila i kože (leather). U sklopu radionice korištene su akrilne boje na bazi vode. U tu svrhu, voditelj radionice, Ivan Knezović, izabrao je 75 mm minijaturu patuljka tvrtke Durgin Paint Forge, koju je sculptao Carlos Perez Bugedo. Predavanja su prilagođena tako da voditelj posveti jednako vrijeme svim polaznicima i može se prilagoditi svim kategorijama minijaturista (od početnika do malo naprednijih).

	

	

	

	Radionica se odvijala na sljedeći način:

	Prvo, predavač sjedi za svojim stolom te objašnjava i demonstrira pojedini korak u bojanju minijature/makete na svojem primjerku. Njegov rad se preko kamere i projektora prikazuje na platnu što polaznici slušaju, gledaju, ali i postavljaju pitanja.

	Potom, polaznici sjedaju za svoje stolove i primjenjuju stečeno znanje. Voditelj kruži između polaznika i provjerava kako svakom polazniku ide. Na taj način, može se prilagoditi svakom polazniku ponaosob.

	

	

	

	Radionica će uključivati sljedeće tematske cjeline:

	1. NMM (Non metallic metal)

	2. Refleksije boja iz okoline na metalu

	3. Čelik / zlato

	4. Bojanje lica (muškog)

	5. Dodavanje živosti na lice (filteri)

	6. Izvlačenje tekstura tkanine, metala i kože (leather)

	

	

	POWERED BY: Carta Magica, Fireball Figurines, Durgin Paint Forge, Playsupport
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Ivan Knezović, 26th May 2026

We visited: Festival Svet v Malem 2026, Pivka, Slovenia

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	On May 23, 2026, we participated in the international plastic model making competition Festival Svet v Malem 2026 in Pivka, Slovenia.

	

	The competition is traditionally held at the Military History Park in Pivka.

	

	

	

	

	

	

	

	

	
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	23. svibnja 2026. sudjelovali smo na međunarodnom natjecanju u plastičnom maketarstvu Festival Svet v Malem 2026 u Pivki u Sloveniji. 

	

	Natjecanje se tradicionalno održava u Parku vojne povijesti u Pivki.

	

	

	

	

	

	

	

	

	
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Krunoslav Belinić, 26th May 2026

We visited: KupKA 2026

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	On May 16, 2026, we participated in the international plastic model making competition KupKA held at the Museum of the Homeland War in Karlovac.

	

	

	

	The competition was organized by the Slavoljub Penkala Modeling Club from Zagreb.

	

	

	

	

	Thanks to the organizer for an interesting competition, to the judges for some medals, and especially to my colleagues from the Maketarski Club Novi Sad - IPMS Serbia for the medal!

	

	

	
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	16. svibnja 2026. sudjelovali smo na međunarodnom natjecanju u plastičnom maketarstvu KupKA održanom u Muzeju domovinskog rata u Karlovcu.

	

	

	

	Natjecanje je organizirao Maketarski klub Slavoljub Penkala iz Zagreba

	

	

	

	

	Hvala organizatoru na zanimljivom natjecanju, sucima na ponešto medalja, a pogotovo kolegama iz Maketarskog Kluba Novi Sad - IPMS Srbija na medalji!

	

	

	
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Marko Paunović, 26th May 2026

Back to Basics Workshops in Gallery VN

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	In May 2026 we held our Back To Basics miniature painting workshops for the youngest in Gallery VN.

	

	The workshops were completely FREE for all participants!

	

	

	

	

	The Back to Basics method is a method of making models and miniatures that focuses on a fun process intended for younger ages, but everyone is welcome! In three separate sessions on Thursdays, participants (aged 7+) painted miniatures of their choice (knight, princess, king, wizard and barbarian). 

	

	

	

	

	

	

	1st session: Painting miniatures of choice, Thursday, 07.05. - from 18:00 to 19:00

	2nd session: Painting a miniature of your choice, Thursday, 14.05. - from 18:00 to 19:00

	3rd session: Painting a miniature of your choice, Thursday, 21.05. - from 18:00 to 19:00

	

	

	

	

	

	
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	U svibnju 2026. održali smo naše Back To Basics radionice za najmlađe u Galeriji i čitaonici VN.

	

	Radionice su bile BESPLATNE za sve polaznike!

	

	

	

	

	Back to Basics metoda je metoda izrade maketa i minijatura kojoj je fokus na zabavnom procesu namjenjenom mlađim uzrastima, ali svi su dobrodošli! U tri zasebna termina četvrtkom, polaznici (od 7+) su bojali minijature po izboru (vitez, princeza, kralj, čarobnjak i barbarin).

	

	

	

	

	

	

	1. termin: Bojenje minijature po izboru, četvrtak, 07.05. - od 18:00 do 19:00

	2. termin: Bojenje minijature po izboru, četvrtak, 14.05. - od 18:00 do 19:00

	3. termin: Bojenje minijature po izboru, četvrtak, 21.05. - od 18:00 do 19:00

	

	

	

	

	

	
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Krunoslav Belinić, 26th May 2026

Painting Faces at Tabletop Level

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	In this short article, I will describe two ways to paint faces on a so-called tabletop standard. The text follows two versions of the painting. One will use a store-bought wash, and in the second, slightly less contrasting one, I will use a wash that I got from regular paint. This way, the reader can choose which method suits them better.

	  

	The first step is to dye the base color.

	Left: Since I'm going to use a store-bought wash in this example, I decided to go for a darker shade of skin tone.

	Right: In this example, I'm going to use the color as a base for the wash, so I decided to go for a slightly lighter skin tone - and therefore a lighter base color.

	  

	The next step is to apply the wash.

	Left: I use a regular, store-bought Reikkland Fleshshade wash.

	Right: On a drop of the darker skin tone, I add two drops of Lahmian Medium and a drop or two of water. This creates my own wash, which I apply similarly to the example on the left.

	  

	Then comes the first highlight.

	Left: I apply the base color to the raised parts of the face and thus get the first highlight.

	Right: Just like in the example on the left, I use the base color as the first highlight.

	  

	Then the second highlight.

	Left: I get the second highlight by mixing the base color with a lighter shade.

	Right: I follow the same process as on the left, with the caveat that I never use pure white to mix the highlight, it's always an off white – with a minimal amount of some pigment.

	  

	The penultimate step is to outline the eyes.

	Left: This step is identical in both cases.

	Right: I outline the eyes with some off-white paint (to make my life easier, it's usually two lines).

	  

	The last step is to add shadows around the mouth and eyes.

	Left: In this case, you can use a darker wash like Nuln Oil or Druchi Purple.

	Right: I mixed black and purple and added two drops of Lahmian Medium and a drop or two of water to create a darker wash, then applied the mixture to the eye sockets, making sure not to get the wash on the previously drawn eyes.

	And the last thing is drawing the pupils – just vertical lines of dark/black color against the horizontal light lines for the eyes.

	 
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	U ovom kratkom članku, opisat ću dva načina za bojanje lica na takozvanom tabletop standardu. Tekst prati dvije verzije bojanja. Jedna će koristiti kupovni wash, a u drugoj, malo manje kontrastnoj koristit ću wash kojeg sam dobio iz obične boje. Na taj način, čitatelj može izabrati koji način mu više odgovara.

	  

	Prvi korak je bojanje u osnovnu boju.

	Lijevo: s obzirom da ću na ovom primjeru koristiti kupovni wash, odlučio sam se za tamniju nijansu boje kože.

	Desno: u ovom primjeru koristit ću boju kao osnovu za wash, tako da sam se odlučio za malo svjetliju nijansu kože – a samim time i svjetliju osnovnu boju.

	  

	Sljedeći korak je stavljanje wash-a.

	Lijevo: Koristim običan, kupovni Reikkland Fleshshade wash.

	Desno: Na kap tamnije nijanse boje kože stavljam dvije kapljice Lahmian Mediuma i kap do dvije vode. Na taj način dobivam vlastiti wash kojeg nanosim slično kao i na lijevom primjeru.

	  

	Zatim ide prvi highlight.

	Lijevo: Nanosim na izdignute dijelove lica osnovnu boju i na taj način dobivam prvi highlight.

	Desno: Jednako kao i u lijevom primjeru, kao prvi highlight koristim osnovnu boju.

	  

	Potom drugi highlight.

	Lijevo: Drugi highlight dobivam mješajući osnovnu boju s nekom svjetlijom nijansom.

	Desno: Pratim isti proces kao i lijevo, uz napomenu da nikada ne koristim čistu bijelu boju za miješanje highlighta, uvijek je to neki off white – s minimalnom količinom nekog pigmenta.

	  

	Predzadnji korak je iscrtavanje obrisa očiju.

	Lijevo: Ovaj korak je identičan u oba slučaja.

	Desno: Nekom off white bojom iscrtam obrise očiju (da si olakšam život, to su najčešće dvije crtice).

	  

	Zadnji korak je dodavanje sjena oko ustiju i očiju.

	Lijevo: U ovom slučaju, možete koristiti tamniji wash poput Nuln Oil ili Druchi Purple.

	Desno: Pomiješao sam crnu i ljubičastu boju te dodao kap dvije Lahmian Mediuma i kad do dvije vode da dobijem tamniji wash te smjesu nanio u očne šupljine pazeći da wash ne dođe na prethodno iscrtane oči.

	I zadnja stvar je ucrtavanje zjenica – samo okomite crtice tamne/crne boje u odnosu na horizontalne svijetle crte za oči.
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Marko Paunović, 20th May 2026

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Association of miniature collectors, modellers and tabletop wargamers "Agram"

The Bust Saga (part 4)

MARKO: Then I set out to work on the cloak. If you remember, last time there were white stains from washing. This time I managed to cover those and add a few more layers of shadows ... As the cloak goes towards the shoulders, so the color becomes lighter. At least that's the idea.

MARKO: For the end, I painted the fabric on the bust’s chest in a base red color. After I paint every layer on the gown, only then will I add the white eagle.

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