UMS "Agram" : How To Build A Fantasy Peasant House < Articles < Hobby

How To Build A Fantasy Peasant House

Ana Polanšćak, 6th August 2020

This article will be depicting the design and build process of one of the types of terrain I made - scratch-built peasant houses.

Materials:
• polystyrene
• balsa wood (1mm, 2mm)
• DAS clay
• MDF base
• pelt of a teddy bear
• masking tape
• PVA glue
• superglue
• pins
• wooden toothpicks
• wire
• blister pack
• insect net
• water-based acrylic paint

Tools:
• hobby knife
• clippers
• brushes
• sculpting tools
• ruler

The core shape of the house was assembled from polystyrene and toothpicks, and covered with masking tape. It all stands on a flat MDF base. This underlying construction is sturdy and easy to build upon, so it's a good choice if the house is closed, with no built and playable interior. It is deliberately slightly crooked and irregular, with a sagging roof, which all gives character to a fantasy building.

Next, I grabbed 2mm balsa and got started on the wood of the roof. Only the parts of the wooden roof structure that would be visible are important. No need to bother with the rest since it will be covered with thatch. This way you save on both time and material.

Next came the wooden framework of the walls. Also made of 2mm balsa, glued with PVA. This piece represents a house built with wattle and daub method. The framework of the walls is made of wood, and the empty spaces are filled with a woven lattice of wooden stakes and twigs called wattle, which is then daubed with a wet mix of dirt, clay, dung and straw. This is quite good quality and much more affordable than a fully wooden structure. The house can finally be whitewashed to get this neater look.

A house needs windows. These are an opportunity to add points of interest on the model. Leaded windows are commonly seen on fantasy houses, and they are really not that difficult to make. Insect net, blister pack plastic. I cut the square shapes with scissors, glued net to plastic and then the whole thing to the wall. Built the window frames around the glass because it's easier to make it fit that way. A trick for the window frame pieces to fit better is by cutting them one on top of the other. The angle will then be exactly the same without measuring. Again, to get this crooked feel avoid perfect right angles, and the windows can slightly differ in size. The building process is relaxed, without much measuring and precise cutting. This is how the finished windows look. Other windows will have shutters to add variety.

The space between the wooden beams was then filled with DAS clay to represent the wattle and daub. I normally do this with my fingers and leave it uneven and messy. Only always make sure not to leave fingerprints behind - having those showing is on the same immersion-killing level as having mould lines on a painted miniature. Simple water helps smooth things out. Before applying the clay, I smear some PVA on the surface for DAS to adhere better. I learnt early on that if your polystyrene has a textured surface, do sand it smooth first. The texture be visible in the overlaying clay after it cures because it shrinks a bit. You can still fix that with another layer of DAS on top, but it's better to prevent it from happening at all.

While the clay was still wet I added more detail to the overhang of the roof. It's just toothpicks, cut in half, with the pointy end dipped in PVA and pushed into the wall just where it meets the roof. This represents supporting structure.

Doors and shutters are done the same way. First, basic shape and size is cut from 1mm balsa. Then it was marked and cut into vertical planks. Each plank got wood grain engraved with a pointy sculpting tool, and each was distressed around the edges with a knife. Then, the planks are glued into place in the door frame/over the window. The 'empty space' behind the door/shutter was painted black before that, since it would otherwise have been hard to reach. Thinking ahead saves you from frustration later...

Metal details give the doors and shutters character and interest. Cut up blister packaging, pins, metal rings... These are best fixed with superglue.

After this I just added texture on the house's base, and it was ready for painting. The whole thing can be primed white, but I did not find that necessary. The walls were already the right colour, and balsa was to be painted darker than its natural colour. I only undercoated the door and windows because they were made of a variety of different-coloured and even transparent materials. Painting it white first offers an equal base, and maybe more importantly it makes it more clearly visible what you've made. You need that when you're painting.

The painting on this was very loose and fun. A succession of grey and brown glazes on the wood and a bit of light staining on the whitewashed walls. Special attention is given to the doors and windows, as they usually attract the eye. After glazes, they got a lighter overbrush, but only in the direction of the wood grain (so, vertically). This is followed by a layer of mat black on the metal, which is finally rusted up.

I intended from the start to include a little porch, but I left it off until the time the door was painted, since it would have been difficult to reach otherwise. Same goes for the charming henhouse that leans on the side of the house. Porch has decoratively carved pillars and roof. All this was done just with a hobby knife and a modeller's file. The henhouse was constructed fully from balsa. As visible in the pictures, some parts were partly painted while it was still being built, again to avoid leaving those difficult to reach areas unpainted.

After the messiest part of painting is done, the teddy fur thatch can be glued into place. I prefer to do it in this order to avoid fur getting in the way when painting the underlying wood. The fur itself was already the right colour, so did not need to be fully repainted, just fixed a bit. You don't necessarily need to flay a teddy to get your fur; they sell fur by the yard for teddy makers. But that is a more expensive option. The fur thatch is best done by cutting horizontal strips with scissors and pasting them onto the roof, starting from the bottom and with strips slightly overlapping. I used pins to fix it all in place until the glue set. They need to be pulled out afterwards.

You will notice it looks very fuzzy and not exactly like thatch yet. To make it more like straw, I applied a mix of water, PVA and light brown paint. Used a large stiff brush and brushed this mix on. I only pulled my brush in the downward direction, following the flow of the hairs. This is also how water would normally go down the roof during rainfall.

After this, the roof will be pretty drenched and it will take some time for it to dry. Best leave it overnight. When it was completely dry, I added the chimney, the wooden ridge, and some planks nailed to the roof. The latter are mostly an aesthetic choice, since they help break up the large, relatively bland surface.

It's the little extra details that really help sell the scenery piece as a house someone inhabits. An everyday object, such as a simple, rickety ladder can be made from balsa and cut up toothpicks. Or what I put on this house: protective objects nailed to the roof. One is an animal skull, the other an effigy of the household spirit. The skull is a plaster copy of a skull I had previously sculpted in green stuff. The house patron was sculpted directly onto the house with DAS clay, a crude representation of a homunculus shape. The image is framed by a shape of a house, hinting at the spirit's function. One doesn't need to be adept at sculpting to make this happen. Bits leftover from kits, or bits designed for dioramas and basing are a good solution, too.

The final step is adding some flock and static grass to the base.

Building this kind of house is not complicated and it doesn't require expensive materials nor tools. The more time is spent on it and the more thought and attention given to details, the more spectacular it will be.

Latest articles

SFRJ 1986 v2 Diorama part 5

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	In this series of articles, we will follow my work on a new diorama, another in the 1986 series. This time I have again decided to use a former country. Another version of the SFRY 1986.

	  

	So far I have finished making the base, painting the base, painting the interior of the vehicle and painting the figures. Now it's time to add the vegetation

	  

	The pines/trees were already fixed to the base before painting, so the first vegetation I added was tall shrubs that filled the volume of the base.

	  

	Then I added lower vegetation like tall grass and lower bushes.

	  

	Finally, I added some short grass, making sure when I was making the parking lot and path that there was no vegetation in the places where the wheels pass.

	  

	The paint on the base has just dried up, so next time I'll add the vegetation.

	  

	When the diorama is turned to the back, the volume of the forest is visible.

	  

	Before placing the vehicles and miniatures on the base, the diorama looks like this.

	  
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	U ovoj seriji članaka pratit ćemo moj rad na novoj diorami, još jednoj u nizu serijala 1986. Ovaj put sam se opet odlučio za bivšu državu. Druga verzija SFRJ 1986..

	  

	Do sada sam završio s izradom baze, bojanjem baze, bojanjem interijera vozila i bojanjem figura. Sada je došlo vrijeme za dodavanje vegetacije

	  

	Borovi/drveće je već bilo fiksirano na bazu prije bojanja pa je prva sljedeća vegetacija bila visoko žbunje kojim sam popunio volumen baze.

	  

	Potom sam dodao niže raslinje poput visoke trave i nižeg grmlja.

	  

	Na kraju sam dodao i nisku travu pri čemu sam pazio kad sam radio ugibalište i puteljak da vegetacije ne bude na mjestima gdje prolaze kotači.

	  

	Kada se dioramu okrene, vidi se volumen vegetacije u šumi. 

	

	Prije postavljanja vozila i minijatura, diorama izgleda ovako:

	
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Marko Paunović, 19th January 2026

SFRJ 1986 v2 Diorama part 4

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	In this series of articles, we will follow my work on a new diorama, another in the 1986 series. This time I have again decided to use a former country. Another version of the SFRY 1986.

	  

	After the base and the vehicles, I started painting the miniatures. Two policemen and a truck driver. The first step was the base color – black and then white..

	  

	After that, I started with the basic colors, concentrating a little more on the truck driver..

	  

	Considering the year and location of the action, I decided that his jacket should have the logo from the 1984 Sarajevo Winter Olympics..

	  

	Then I threw myself at the policemen..

	  

	The paint on the base has just dried up, so next time I'll add the vegetation.
"
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	U ovoj seriji članaka pratit ćemo moj rad na novoj diorami, još jednoj u nizu serijala 1986. Ovaj put sam se opet odlučio za bivšu državu. Druga verzija SFRJ 1986..

	  

	Nakon baze i vozila, bacio sam se na bojanje minijatura. Dva milicajca i vozač kamiona. Prvi korak je bila temeljna boja – crna pa bijela.

	  

	Nakon toga, krenuo sam s osnovnim bojama, malo više se koncentrirajući na vozača kamiona.

	  

	S obzirom na godinu i mjesto radnje, odlučio sam se da mu jakna ima logo od ZOI Sarajevo 1984.

	  

	Zatim sam se bacio na milicajce.

	  

	Taman se tako nekako osušila i boja na bazi pa ću sljedeći puta obraditi i dodavanje vegetacije.
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Marko Paunović, 19th January 2026

SFRJ 1986 v2 Diorama part 3

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	In this series of articles, we will follow my work on a new diorama, another in the 1986 series. This time I have again decided to use a former country. Another version of the SFRY 1986.

	  

	As I announced last time, it's time to get down to the vehicles. The first thing I did was disassemble the models and take out the interiors of all three vehicles.

	  

	As you can see in the picture, the interior of the vehicle is poorly or not at all painted, so a lot of attention and time was spent there. I painted the upholstery in shades of gray, or brown on the Tristač. I brought out the details on the dashboard and around the gearbox.

	  

	There was something missing from the start on the Fićo, but I couldn't figure out what it was until Kruno pointed out to me that the flashing lights were missing. I fixed that with a small 3mm clear LED that I painted in Tamiya Clear Blue with a silver edge.

	  

	This completes the painting of the vehicles’ interior.

	  

	The finishing touches are the decorations in the truck's cabin.

	  

	Next time we will continue with painting the figures.
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	U ovoj seriji članaka pratit ćemo moj rad na novoj diorami, još jednoj u nizu serijala 1986. Ovaj put sam se opet odlučio za bivšu državu. Druga verzija SFRJ 1986..

	  

	Kao što sam najavio prošli put, vrijeme je da se bacim na vozila. Prvo što sam napravio jest da sam rastavio modele i izvadio unutrašnjost sva tri vozila

	  

	Kako je vidljivo na slici, unutrašnjost vozila je slabo ili nikako obojana stoga je tu otišlo mnogo pažnje i vremena. Tapecirunge sam obojao u sive nijanse, odnosno u smeđe na tristaču. Izvukao sam detalje na komandnim pločama te oko mjenjača.

	  

	Na fićeku mi je otpočetka nešto falilo, ali nisam mogao skužiti što dok mi Kruno nije skrenuo pažnju da fali rotirka. Nju sam sredio pomoću jedne male 3mm prozirne LED koju sam obojao u Tamiya Clear Blue sa srebrnim rubom.

	  

	Time je završeno bojanje unutrašnjosti vozila.

	  

	Završni detalji su ukrasi u kabini kamiona.

	  

	Sljedeći put nastavljamo sa bojanjem figura.

	 
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Marko Paunović, 19th January 2026

SFRJ 1986 v2 Diorama part 2

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	In this series of articles, we will follow my work on a new diorama, another in the 1986 series. This time I have again decided to use a former country. Another version of the SFRY 1986.

	  

	Last time I explained how I created the terrain, and this time I'll be painting the terrain. The terrain itself consists of several parts: an asphalt road, a turnoff and path, and the terrain in the forest.

	  

	Since I wanted all the surfaces to have similar tones, I decided to paint without a base color, applying the main color immediately. The paint I applied was very thin so it stayed wet for a long time, which allowed me to mix the base colors and get a uniform tone.

	  

	After applying the basic tones, I started shading. I also used the same principle, using quite diluted tones to create unevenness in certain parts of the surface.

	  

	Then I added a layer that I could most simply call wash. A very diluted darker shade of color.

	  

	I applied the final shades using another technique, the simplest one – dry brush.

	  

	While these paints were drying, I was simultaneously disassembling and painting the interior of the car and truck, as well as the figures, which will be the subject of future articles.
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	Prošli put sam objasnio kako sam izradio teren, a ovaj put ću se baviti bojanjem terena. Sami teren se sastoji od nekoliko dijelova: asfaltna cesta, ugibalište i puteljak te teren u šumi.

	  

	S obzirom da sam htio da sve površine imaju slične tonove, odlučio sam se bojati bez temeljne boje, nanoseći odmah glavni ton. Boju koju sam nanosio bila je jako razvodnjena tako da je dugo bila mokra i to mi je omogućavalo miješanje osnovnih tonova i dobivanje ujednačene tonove.

	  

	Nakon nanošenja osnovnih tonova, krenuo sam sa nijansiranjem. Također sam radio istim principom, dosta razvodnjene tonove kako bih dobio neujednačenost pojedinih dijelova površine.

	  

	Potom sam dodao sloj koji bih najjednostavnije mogao nazvati wash. Jako razvodnjenu tamniju nijansu boje.

	  

	Završne nijanse sam nanio drugom tehnikom, najjednostavnijom – dry brush.

	  

	Dok su se ove boje sušile, paralelno sam rastavio i bojao unutrašnjost automobila i kamiona te figura što će biti tema sljedećih članaka.
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Marko Paunović, 19th January 2026

SFRJ 1986 v2 Diorama part 1

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	In this series of articles, we will follow my work on a new diorama, another in the 1986 series. This time I have again decided to use a former country. Another version of the SFRY 1986.

	  

	As always, everything starts with an idea. This time, the idea came from a model of an Agrokomerc truck that Bojan brought me from Serbia (where it was published as part of a magazine). The design itself changed a bit over time (the first few months of planning). Initially, it was supposed to be just a truck at a roadside stop. Then the idea came to include the Police. And then I got two police vehicles. Fić and Tristač. Basically, this is the first drawing that started it all.

	  

	The base for the diorama came from Moson, from Buco. A fantastic combination of MDF and Styrodur that allows you to remove the diorama itself, but also to lower the terrain below the base level. I removed the Styrodur base, modeled it a little to get different terrain height levels. I modeled the road from a cork board, and assembled the rest of the terrain from DAS clay and wooden bark.

	  

	Once everything was dry I added texture. Two or three sizes of sand and that was it.

	  

	And when that layer was dry, I used a drill to fix the trees to the back of the base. Since all the trees had tall trunks, I decided to leave them as is and not move them during the painting process.

	  

	That's it for this week. We already have a nice outline of the diorama, and next time we'll continue with painting the base.
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	Kao i uvijek, sve počinje idejom. Ovoga puta, ideja se izrodila iz makete Agrokomercovog kamiona kojeg mi je Bojan dofurao iz Srbije (gdje je izašao u sklopu nekog časopisa). Sami dizajn se malo mijenjao tijekom vremena (prvih par mjeseci planiranja). Otpočetka, trebao je to biti samo kamion na nekom ugibalištu pored ceste. Onda se rodila ideja da stavim i Miliciju. A onda sam nabavio i dva milicijska vozila. Fiću i Tristača. Uglavnom, ovo je prvi crtež od kojeg je sve krenulo.

	  

	Baza za dioramu je došla s Mosona, od Buce. Fantastičan spoj MDFa i stirodura koji omogućava vađenje same diorame, ali i upuštanje terena ispod razine baze. Izvadio sam stirodurnu podlogu, malo je izmodelirao da dobijem razne razine visine terena. Cestu sam izmodelirao iz ploče pluta, a ostatak terena složio od DAS glinamola i drvenih kora.

	  

	Kada se sve osušilo dodao sam teksturu. Dvije ili tri veličine pijeska i to je to.

	  

	A kada se i taj sloj osušio, bušilicom sam fiksirao drveće na stražnji dio baze. S obzirom da su sva stable imala visoka debla, odlučio sam ih ostaviti tako i ne micati ih za process bojanja.

	  

	To je to za ovaj tjedan. Imamo već lijepe obrise diorame, a sljedeći puta nastavljamo sa bojanjem baze.
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    string(5) "marko"
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    string(40) "3bd37b326d19d1880d3b93a4b32e8fb3a90fa122"
    ["born"]=>
    string(19) "2033-03-07 20:35:00"
    ["created"]=>
    string(19) "2009-06-02 20:37:03"
  }
}

Marko Paunović, 19th January 2026

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