Building a Gaming Board – pt 1.

Marko Paunović, 27th September 2020

In the past issues I've been dealing with various forms of terrain for my Malifaux games and I've even done a modular gaming board for all the wild west themed terrain. These past few months I was busy participating in the Iron Painter so I welcomed the one issue break I've had with my Malifaux terrain builds. That said, I missed it. A lot. But participating in such a cool event like Iron Painter, where you are surrounded by great artists and are pushed to your limits, makes you improve your abbilities and more often than not provides you with plenty of ideas for future projects. This year was no different. So, even while competing, I've been drumming up ideas what to do next and I must admit up until the last round of Iron Painter I was unsure of what to do. But then the „Snowpocalypse“ theme was announced and I started doing a diorama out of a bust and there it hit me. Wouldn't it be really cool to have a whole gaming board that was done like that 8x8cm base? So, in this and the next issue I'll give it a go!

Careful readers will already know my mantra about any and all big projects I undertake. When starting a project of such magnitude, always plan ahead. Try to think of all the things you want featured in your project. From that, you'll be able to get the tools and materials you need. And once you finish that list, you'll have the outline of the activities you need to perform and what order they should come in. So, the idea is to have a single board for my Malifaux games which means I would require a 90x90cm (3'x3') board. At this point, presumably wooden. Then I started planning what features to place on my board. I decided to go with a frozen river, with a couple of crossings one of which would be a bridge. I'd also want at least one road and several paths that wouldn't be (entirely) covered with snow. I'd also want to add some levels to my board so it wouldn't be just flat. Two or three levels would be perfect. Since this wouldn't be a fixed terrain board, I'd still need plenty of flat areas to place the scenery before my games. Right about this time during the planning, I remembered I had some untouched resin terrain pieces from a Croatian company called Tabletop World. They produce high quality resin terrain. However, they only to fantasy/medieval type of buildings. I decided to use them as mock-up for my future terrain for Malifaux while planning out the outline.

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Planning

So, once the planning was done, I compiled a list of needs and wants that would hopefully help me with the material and tool lists as well as keep me focused on the project itself (so I don't add too many extra details that would clutter the board):
1. one board, single piece, sturdy and not easily broken N
1.1. size of the entire board: 90 x 90cm (or as close as possible) N
2. Water feature N
2.1. frozen river N
2.2. several crossings of the river N
2.3. one of the crossings should be a proper bridge W
3. roads etc. W
3.1. dirt paths – several leading from areas reserved for buildings to the main road N
3.2. main road – leading to and from the bridge (or wide crossing) N
4. levels N
4.1. second level (2cm – height of a single HD styrofoam board) N
4.2. third level (if possible – 2x 2cm HD styrofoam board or single 5cm board) W
5. flat areas for future terrain and buildings N
6. materials to be used – as light as possible W
7. frame – sturdy that won't bend or break easily to protect the main body of the board N

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After the list was compiled, already some things were begining to become clear so I could make my preliminary sketch. Fortunately, right about the time I was starting this project, the Mrs and I decided to get rid of our bed base that was made of two solid 19mm thick plywood boards which happened to be 90x200cm in size. So I figured, I'd cut one board into two 90x90cm piceces and have bases for two boards. Almost perfect as I would need to do some preparation work on the board to plug the holes and fill the edges where the board was cut. As for the rest of the needs and wants, I'd need something to make the frame (at this point, presumably some wooden slats), several pieces of HD styrofoam, some roots and some slate. Rest of the materials would be usual – super glue, PVA glue, several types of gravel and sand, some DAS clay and some plaster. For the river, I will need some resin – but not too much as the whole idea is to have a shallow, frozen river. In the end obviously, I'd also need copious ammounts of snow material, something to make ice and several packages of paste to make the icicles.

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- glues - PVA 1kg, 1x10g Superglue
- paints and spreys - 6 Pebeo Deco Paints (Black, White, Grey, Brown, Ochre and Ash), one black, ash, off white and pure white matt acrylic spreys and one clear matt acrylic sprey
- large brushes No 90, No 40
- airbrush
- brush size 16
- high density styrofoam - 1 board (1200 x 600 x 20 mm)
- high density styrofoam – 1 board (1200 x 600 x 50 mm)
- wooden slats - four pieces (25 or 30 x 5 x 1000 mm)
- up to twenty M2,5x15 screws
- balsa wood 4mm thick (10 x 1000 mm)
- DAS air drying clay (1kg)
- plaster (1 kg)
- sand and gravel (four or five sizes)
- small bagful of slate
- several roots
- plastic foil
- static grass and scatter (three to four sorts)
- Resin (Gedeo Crystal Resin or just Extra Heavy Gel by Vallejo)
- NOCH icicles
- NOCH snow products (2 packages)
- NOCH ice crystals
- scalpel blade
- scissors
- screwdriver
- chisel and hammer
- electric drill
- pin-vice
- circular saw
- jig saw
- disc sander
- vibro-sander
- modeller's saw
- sanding paper
- masking tape

Here, I included both electric and hand held tools. Obviously, you can use only one of these. If you don't have electric ones, the hand held ones will do the job just the same. It'll just take a bit longer and perhapes make you sweat a little bit. I don't like sweat, so I use electric ones.

Also, when doing such a list, you can also add the location of a store where you can buy those items and it'll make your shopping easier and faster. When all summed up, I reckon, my board wouldn't cost a lot (apart from the snow and water feature accessories).

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Preparation work

As mentioned above, the first thing I had to do was to fill the round holes in the board. I had a long debate how to do it, but in the end I decided the easiest way would be to fill it with plaster. So I cut enough pieces of plastic foil and taped them to one side (that would be the top side) of the board using masking tape. Then I flipped the board over and I mixed about half a litre of plaster and poured it in the holes. The plaster was about 0,5-1cm thick. Once it cured, I decided to use PVA glue for added strength. I left the glue and plaster to cure for a couple of days as we were in the middle of the winter and I do all my terrain work in an unheated garage.

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Start of the build

With the holes plugged, I could now finally start to build my board. Needless to say, I flipped the board over so the top side would be up and I removed the masking tape with the plastic foils. It was at this time that I took out the Tabletop World terrain and placed them around the board. Once I had them placed, I used my red and black markers to draw the design on the board itself. I wasn't quite satisfied with the setup so I replaced the bridge and drew its outline once again. I may actually use this bridge in my Malifaux games as well! When the outline was drawn, I cut the HD styrofoam bits to size and carefully placed them on my board. I also placed the TTW terrain on the styrofoam boards to make sure I have enough space around them for my models to move during games. When I was satisfied with the setup, I used PVA glue to glue the styrofoam boards in place. Also, I secured the bond using masking tape that would be removed once the PVA glue set.

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Building the board frame

When the styrofoam bits were glued, I went on to do the frame of the board. In the DIY store, I managed to get four 25x5x1000mm linden slats. I cut them to size using my jig saw and making sure I had 1cm more than I needed to. This way, I could sand down the sides of the frames at 45 degree angle so they would fit perfectly.

Remember, you can always use a modeller's saw, sanding paper and screwdriver instead of jig saw, disc sander and a drill with screw end.

Using 5mm balsa wood, I cut several strips to plug the gap on one of the edges of the board and then proceeded to secure the frames to the board using M2,5x15 screws. I used three per side and once the screws were in place I filled the small crevices between the board and the frames using PVA glue for added strength of the bond.

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IDEAS

During my Snowpocalypse entry (Frozen Stiff, by the way), I used slate to make the cliffs. For that build, I needed only a handful. But for this, I figured I'd need a bit more. Fortunately for me, the Medvednica hill next to Zagreb where I live, is full of slate so I decided to take a hike with a mate and go gather a bagful of broken stones. During these hikes, I like to take photos of nature as it is really a good source of inspiration. Once back, I had to wash the stones in soapy water to remove the dirt because the paint wouldn't stick to the stones properly otherwise. I used warm water and several repeats of the process until I got almost clear soapy water. I left it to dry for a couple of days near a heater. When the slate was dry, I stored them in two boxes. One was for really large pieces and the other was for smaller ones and debris. This would speed up the proces of choosing the stones while making the river bank and cliffs.

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Making the Terrain Features

Breaking of the pieces of slate

One of the advantages of using slate is that it is a really soft material that is a result of its metamorphosis. It is a fine-grained, foliated, homogeneous metamorphic rock derived from an original shale-type sedimentary rock composed of clay or volcanic ash through low-grade regional metamorphism. It is the finest grained foliated metamorphic rock. Foliation may not correspond to the original sedimentary layering, but instead is in planes perpendicular to the direction of metamorphic compression. In other words, it is full of layers and by using just a little force, you can split it into smaller/thinner pieces. For that I wanted to use a chisel which I couldn't find. Being lazy, I dropped the search and I ended up using a normal screwdriver instead.

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River banks

Once I had all the pieces of slate I needed, I proceeded to glue the slate along the future riverbank. I used pieces that were 0,5-1cm high and spread them evenly along the banks. I also glued several pieces inside the riverbed to form the future river crossings. It will be up to the players to decide whether it would be considered difficult terrain or not.

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Cliffs

Originally, I wanted to make all the cliffs with slate. Just place them piece by piece and glue them in place. And afterwards, use plaster to plug the gaps between the styrofoam body of the „hill“ and the sides made from slate. However, overall there was over 3m of 2cm high cliffs so I decided against it. At least until I tried something first.

I placed a layer of DAS air drying clay around all my cliffs and I used a layer of watered down PVA glue to fix it better to the styrofoam sides. While the clay was still wet and malleable, I pressed a larger piece of slate into it to form the face of the cliff. Once I've done it to the entire cliff, I added smaller pieces of slate and stuck them into the clay and left them there to be glued. This way, I saved on rock and time as it was a really fast procedure with only slightly lower standard of finish.

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Leveling of the terrain around the rocky river banks

As the riverbanks and the cliffs were now dry, I now had to level out the slightly higher area around the riverbank to the rest of the board. To do that, I once again made some plaster. It is the same one I used to plug the gaps on the board, but it turned pinky because I used the same water I used to soften up the red clay and it coloured the plaster. I made sure the plaster wasn't too much like a liquid. I wanted a consistency of a paste so that I could form the angle that I wanted and not have it run.

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Sanding the plaster

While I was pouring the plaster to level the ground around the riverbanks, I noticed some of my plaster fills of the holes in the board protruded slightly. Because the holes were perfect circles, I needed to sand down the excess material because once the board was textured and painted, I would definitely show as too regular a form. I used my vibro-sander, but you could use normal sanding paper as well. When I was done with sanding, I made sure I collected all the debris from the board because the next step was texture!

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Adding texture

Adding the texture has two main purposes. First one, obviously is the aesthetics. The more texture, the better the terrain looks. However, in some places there is another purpose to the texture. Depending on the materials you use (like styrofoam), some spreys may melt the base of your terrain which is something you definitely do not want. That's why you use watered down PVA glue mixed with some sand.

Luckily for me, most of my board is wooden and/or covered with plaster so I don't need to take care that the mixture of water and PVA be in favour of PVA so it offers a protective coat. However, there are some places where there is only styrofoam. Here, I will need to take care. That said, due to the whole theme of the board, all would not be lost if I missed the texture in several places. Why? because even if the sprey melts the styrofoam in places, the board will be covered in snow in the end so I can always cover up my mistakes.

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Riverbed

I started with the riverbed first. As the whole idea of the river is that it is mostly frozen, I decided to use the simplest method and use just one size of sand, the smallest. I covered the entire surface of the river with slightly watered down PVA and sprinkled a layer of chinchilla sand. I left it to dry overnight.

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Road and the dirt paths

I used several sizes of sand and gravel on the main road. As with the river, I first covered the entire area using a slightly diluted PVA glue with water (just enough so it would spread easily). I then sprinkled the largest grain sporadically in the middle of the road. Around the largest pieces I then sprinkled slightly smaller pebbles. In the end I finished with the smallest grain chinchilla sand.

Dirt paths and the areas where the buildings/other terrain would be placed during the games, was done only using chinchilla sand.

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Other textures

Rest of the textures were done using two different sizes of grain. Somewhere in the middle between the small pebbles and chinchilla sand used on the main road. Once again, I smeared the watered down mixture of PVA glue. However, this time before sprinkling the sand, I placed several pieces of slate. I carefully picked the places where I placed them so that they wouldn't be in the way of the future terrain. This would add some more detail to the whole board and would help break the large flat areas even if the terrain isn't there. When I was satisfied with the placement and the quantity of slate pieces, I sprinkled the larger of the two grains followed by the smaller grain.

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In the next article, I'll tackle the leftover sand and gravel that didn't glue to the base. Then I'll paint the board and add various vegetation. Water will also be added into the riverbed and I'll also be adding various winter accessories, like snow, ice and icicles.

Latest articles

  • Agram Group Build #7 – Amon Hen, pt.2
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    Agram Group Build is back. For this seventh installment, the team decided to create a gaming board/diorama for Amon Hen. To that end, we fulfilled a childhood dream and acquired the original Forge World Amon Hen terrain (released around 2000) along with the accompanying set of miniatures. This series of articles will document the entire project—from crafting the terrain to assembling and painting the miniatures.

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    After cutting the board in the previous article, it was time to create the terrain. We decided to achieve the necessary height—or volume—by using Styrofoam. The choice of material was dictated by the availability of Styrofoam; had we possessed that amount of extruded polystyrene (XPS) foam, we certainly would have chosen it due to its ease of shaping. We arranged the Styrofoam sheets to cover the entire surface of the board, gluing them down with PVA glue and reinforcing the joints with masking tape. Next, we placed the assembled Amon Hen model in position and traced its outlines.

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    The next step was cutting out the rough shape of the terrain and arranging tall vegetation across the diorama to establish the outlines of the final look.

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    After marking the placement of the trees, we decided to glue the Styrofoam terrain piece onto the board. We used PVA glue for this as well, and to ensure firm contact, we secured the edges with masking tape so the Styrofoam wouldn't warp while drying. Finally, we constructed a ramp for the temple entrance.

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    In the meantime, Kruno was working on the preparatory work on the figures.

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    " ["content_hrv"]=> string(6116) "

    Agram Group Build se vraća. U svojoj sedmoj instalaciji, ekipa je odlučila izraditi igraću tablu / dioramu za Amon Hen. Za tu potrebu, ispunili smo si dječačke sne i nabavili originalni Forge World teren Amon Hena (izašao negdje cca 2000.) sa setom pripadajućih figura. Ova serija članaka pratit će izradu cijelog projekta – kako izrade terena, tako i sastavljanja i bojanja figura.

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    Nakon rezanja table u prošlom članku, došao je red na izradu terena. Visinu, odnosno volumen, smo odlučili dobiti korištenjem stiropora. Odabir materijala je uvjetovala dostupnost stiropora. Da smo imali tu količinu stirodura, sigurno bismo ga odabrali zbog jednostavnosti obrade. Stiroporne daske smo posložili tako da pokriju cijelu površinu table. Zalijepili smo ih koristeći PVA ljepilo, a spojeve dodatno učvrstili koristeći krep traku. Potom smo stavili složenu maketu Amon Hena i ucrtali obrise

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    Sljedeći korak bilo je izrezivanje grubog oblika terena i slaganje visoke vegetacije po diorami – tako da dobijemo obrise konačnog izgleda.

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    Nakon označavanje gdje ide koje drvo, odlučili smo zalijepiti stiroporni teren na dasku. To smo također odradili pomoću PVA ljepila – a za dodatan pritisak, rubove smo pritisnuli koristeći krep traku tako da se stiropor ne deformira tijekom sušenja. Na kraju smo izradili i kosinu za prilaz u hram.

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    Za to vrijeme, Kruno se bavio pripremnim radovima na figurama.

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    Krunoslav Belinić, 24th September 2026
  • Signs for your plinths
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    This article will cover creating nameplates for your display figure bases. I have been considering the option of printed nameplates for quite some time, and these are the results I achieved after a bit of effort and research.

    The 3D engraved nameplates I usually use are quite expensive (around €10 apiece) and require preparation, ordering from an engraving studio, and waiting for the work to be completed. Consequently, my practice has been to place only one or two orders a year, mostly before our "Black Queen" event. Another major drawback is that these nameplates are made of plastic and cannot be bent, which automatically rules out round plinths.

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    After a bit of research, the results showed that miniaturists quite often use printed paper signs. What I saw in person was that these signs are very glossy, and online research revealed that they are printed on photo paper. So, I decided to try it out myself. First, I created the design for the sign.

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    Before looking for a photo studio, I decided to print it out on plain paper first to see what it looked like.

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    Even when I put up those signs on plain paper, the result wasn't bad.

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    The hardest part of the whole process was finding a photo studio. It is incredible how few of them there are (that aren't just photocopy shops). I managed to find one relatively close to where I work and ordered two sets of two 10x15 cm photos—I decided to get two copies of each shot just in case something went wrong and I needed a backup.

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    In total, the four photos cost me just under €2.00 (one-fifth of the price of a single plastic, engraved sign).

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    The final result on the bases is more than satisfactory! Would bang 10/10.

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    Ovaj članak će se baviti izradom natpisa za baze za vaše display figure. Već dulje vrijeme razmišljam o opciji printanih natpisa i ovo su rezultati do kojih sam došao nakon malo truda i istraživanja.

    3D gravirani natpisi koje normalno koristim podosta su skupi (10ak € po komadu) i zahtijevaju pripremu pa naručivanje u nekom studiju za graviranje pa čekanje da oni to odrade. Tako da mi je do sada praksa bila jedna do dvije narudžbe godišnje, uglavnom prije našeg Black Queena. Drugi glavni nedostatak je da su ti natpisi plastični te se ne mogu savijati što automatski isključuje okrugle baze.

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    Nakon malo istraživanja, rezultati su pokazali da minijaturisti dosta često koriste printane natpise na papiru. Ono što sam uživo vidio jest da su to jako sjajni (glossy) natpisi, a online istraživanje je pokazalo da su to natpisi na foto papiru. Stoga, sam odlučio isprobati kako to funkcionira. Prvo sam napravio dizajn natpisa.

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    Prije potrage za foto studijom, odlučio sam isprintati prvo na običan papir da vidim kako to izgleda.

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    Čak i kada sam postavio te natpise na običnom papiru, rezultat nije bio loš.

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    Najteži dio cijelog procesa bila je potraga za foto studijom. Nevjerojatno je koliko ih malo ima (a da nisu fotokopiraone). Uspio sam naći jedan relativno blizu mjesta gdje radim te naručio izradu dva puta po dvije fotografije 10x15cm – odlučio sam za svaki slučaj svaku fotku dva puta napraviti tako da ako nešto pođe u krivo da imam rezervu.

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    Sveukupno su me 4 fotografije ispale nešto ispod 2,00€ (jedna petina cijene jednog plastičnog, graviranog natpisa).

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    Završni rezultat na bazama je više nego zadovoljavajuć! Would bang 10/10.

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    Marko Paunović, 24th September 2026
  • We attended: Days of Technical Culture 2026
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    On Friday and Saturday, 18 and 19 Sept 2026, we participated in the Technical Culture Days at the Technical Museum. At our stand, visitors could discover the world of miniatures, and we were especially delighted by the interest shown by children who picked up a paintbrush for the first time.

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    Kruno and the team did a fantastic job guiding them through the initial steps of coloring. There was a mix of concentration, joy, and the occasional serious question about which color best suited the little hero. Interest was so high that the workspace around our stand quickly became cramped. For next year, we would love to see more space for workshops so that everyone can sit down comfortably and try their hand at painting.

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    I have participated in the Technical Culture Days for years, ever since the event was held in Dubrava. For me, the Nikola Tesla Technical Museum represents a major step forward: the venue lends a special atmosphere to the event, and the turnout this year was phenomenal. I was also pleasantly surprised by the other exhibitors' stands. It was a real pleasure to walk among them and see the fascinating things people are creating and sharing with visitors.

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    You can find more photos on our social media.

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    On Friday, our Marko gave a presentation titled "Miniaturism – A World in Miniature," in which he described to all those present the projects and programs organized by the Association, as well as everything we offer to our fellow citizens!

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    Thank you to everyone who stopped by, asked a question, or painted their first miniature. I look forward to next year—with just as many curious visitors and, I hope, a few more tables for brushes.

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    U petak i subotu, 18. i 19. rujna 2026., smo sudjelovali na Danima tehničke kulture u Tehničkom muzeju. Na našem su štandu posjetitelji mogli upoznati svijet minijatura, a najviše nas je razveselio interes djece koja su prvi put uzela kist u ruke.

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    Kruno i ekipa sjajno su ih vodili kroz prve korake bojanja. Bilo je koncentracije, veselja i pokojeg ozbiljnog pitanja o tome koja boja najbolje pristaje malom junaku. Interes je bio toliko velik da nam je prostor za rad oko štanda brzo postao tijesan. Za iduću godinu voljeli bismo vidjeti nešto više mjesta za radionice, kako bi svatko mogao mirno sjesti i okušati se u bojanju.

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    Na Danima tehničke kulture sudjelovao sam godinama, još dok su se održavali u Dubravi. Tehnički muzej Nikola Tesla za mene je velik korak naprijed: prostor daje događaju posebnu atmosferu, a posjećenost je ove godine bila fenomenalna. Štandovi drugih izlagača također su me ugodno iznenadili. Bilo je pravo zadovoljstvo prošetati među njima i vidjeti koliko zanimljivih stvari ljudi stvaraju i dijele s posjetiteljima.

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    Više fotografija pogledajte na našim društvenim mrežama

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    U petak, naš Marko je održao predavanje pod nazivom MINIJATURIZAM – Svijet u malom u kojem je svim prisutnima opisao projekte i programe koje Udruga organizira i što sve nudimo našim sugrađanima!

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    Hvala svima koji su zastali kod nas, postavili pitanje ili obojali svoju prvu minijaturu. Veselim sei dućoj godini — uz jednako puno znatiželjnih posjetitelja i, nadam se, koji stol više za kistove.

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    Marko Paunović, 23th September 2026
  • Agram Group Build #7 – Amon Hen, pt.1
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    Agram Group Build is back. For this seventh installment, the team decided to create a gaming board/diorama for Amon Hen. To that end, we fulfilled a childhood dream and acquired the original Forge World Amon Hen terrain (released around 2000) along with the accompanying set of miniatures. This series of articles will document the entire project—from crafting the terrain to assembling and painting the miniatures.

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    The idea from the start was to create a diorama of the famous scene from *The Lord of the Rings* where Boromir falls in battle and the Uruk-hai abduct two—fortunately, the wrong—Hobbits. Ideally, we envisioned everything fitting onto a 40 x 40 cm board. So, the first step was to verify this; we used two sheets of A3 paper to create a square of roughly the desired size.

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    Figures and terrain fit perfectly for the board of that size. However, this should also be a diorama, so we checked how everything works together with vegetation. Fortunately, before the terrain and figures arrived, we also acquired appropriate autumn trees.

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    Once the concept was confirmed, we could get to work on making the base for the board. We used a 130 x 40 x 2 cm plank—originally a shelf—for this purpose. We marked two diagonals on it to outline a 40 x 40 cm square, then applied masking tape over the area to protect the wood during sawing.

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    Then, we cut the board to the desired size using a circular saw. After cutting, we sanded both cut edges.

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    And with that, preparations for the first collaborative project are complete. We have everything ready for the presentation at the Technical Culture Days, where our Marko will conduct demonstration workshops—specifically, demonstrations on creating a spatial model—based on this very project.

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    Agram Group Build se vraća. U svojoj sedmoj instalaciji, ekipa je odlučila izraditi igraću tablu / dioramu za Amon Hen. Za tu potrebu, ispunili smo si dječačke sne i nabavili originalni Forge World teren Amon Hena (izašao negdje cca 2000.) sa setom pripadajućih figura. Ova serija članaka pratit će izradu cijelog projekta – kako izrade terena, tako i sastavljanja i bojanja figura.

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    Ideja od početka bila je da napravimo dioramu poznate scene iz Gospodara prstenova gdje Boromir pogiba, a Uruk Hai otimaju dva, srećom pogrešna, Hobita. Idealno u našim zamislima sve bi stalo na tablu 40 x 40 cm. Stoga prvo je to trebalo provjeriti. Od dva A3 papira napravili smo kvadrat otprilike željene veličine.

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    Figure i teren taman pašu za tablu te dimenzije. Međutim, ovo bi trebala biti i diorama, stoga smo provjerili kako sve zajedno funkcionira i sa vegetacijom. Na svu sreću, prije nego su došli teren i figure, nabavili smo i prigodno jesensko drveće.

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    Kad smo potvrdili koncept, mogli smo se baciti na izradu baze za tablu. Za to nam je poslužila daska 130 x 40 x 2 cm koja je služila kao polica. Na nju smo ucrtali dvije dijagonale i na taj način dobili kvadrat veličine 40 x 40 cm. Zatim smo preko toga prelijepili krep traku kako bismo dasku zaštitili prilikom piljenja.

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    Zatim smo ispilili dasku na željenu veličinu ručnim cirkularom. Nakon piljenja smo pobrusili oba rezana ruba.

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    I time su pripreme za prvi zajednički rad završene. Sve smo spremili i pripremili za nastup na Danima tehničke kulture gdje će naš Marko upravo na ovom projektu držati ogledne radionice odn. demonstracije izrade prostorne makete.

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    Marko Paunović, 14th September 2026
  • We attended: H.R.E.N. 28 - 2026., Medvode, Slovenia
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    Another success for the Hren organizers! Of the two-day event, the first day was dedicated to the Turnip28 game, and the second to an original game designed by the hosts. Like last year, the tables and courts exceeded the expectations of the players, the scenarios were imaginative, and I enjoyed the interaction between the tables during the game. For example, my first game involved rubbing horseradish roots on the figures during the game, including other tables in the hall. The next day, we played as a fun cooperative game in pairs, in which each pair of players had their own kit-bashani spaceship (which we made before or during the event) with which we had to pick up Tod (a character from last year) and return him to Earth. There was no shortage of chaos. The hosts from Amulet tried to make us comfortable and not hungry or thirsty during the entire event, and I can only say words of praise for their effort and engagement!

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    " ["content_hrv"]=> string(4572) "

    Još jedan uspjeh za organizatore Hren-a! Od dva dana eventa, prvi dan je bio namijenjen igri Turnip28, a drugi za originalnu igru smišljenu od strane domaćina. Kao i prošle godine, stolovi i tereni su nadmašili očekivanja igrača, scenariji su bili maštoviti i zabavljala me interakcija između stolova tijekom igre. Na primjer, moja prva partija uključivala je ribanje korijena hrena po figurama tijekom igre, uključujući i druge stolove u dvorani. Idući dan smo igrali jako zabavnu zajedničku igru u parovima, u kojoj je svaki par igrača imao svoj kit-bashani svemirski brod (koji smo izrađivali prije ili tijekom eventa) kojim smo trebali pokupiti Toda (lik od prošle godine) i vratiti ga na Zemlju. Kaosa nije falilo. Domaćini iz Amuleta su se trudili da nam bude ugodno i da ne budemo ni gladni ni žedni tijekom cijelog vremena održavanja manifestacije i mogu reći samo riječi hvale na trud i angažman!

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    Mario Grgurev, 7th September 2026

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