UMS "Agram" : Building a Gaming Board – pt 2. < Articles < Hobby

Building a Gaming Board – pt 2.

Marko Paunović, 27th September 2020

In the previous asrticle, I've started work on my winter themed Frostgrave board. So far, I've covered the cutting of the plywood, making a frame, building volume with HD styrofoam, adding cliffs and river banks and I've finished the article with texture application.

I'm at about the half way mark with the building of this board and the main idea of this build is to have a single board for my Malifaux games which means I would require a 90x90cm (3'x3') board. I decided to go with a frozen river, with a couple of crossings. I'd also wanted at least one road and several paths that wouldn't have been (entirely) covered with snow. I'd also wanted to add some levels to my board so it wouldn't be just flat. Two or three levels would have been perfect. Since this wouldn't be a fixed terrain board, I'd still needed plenty of flat areas to place the scenery before my games. In this issue, I'll be painting the board's three separate kinds of surfaces (ground, cliffs and river), followed by adding the river which will be the most tricky and most time consuming part of the build. After the river sets, I'll add vegetation, roots, grass tufts and alike. I'll also add a couple of fir/pine trees. In the end, I'll add ice surfaces (ice and icicles) as well as cover the entire board with snow.

Planning

Most of the planning was done in the last issue. The main needs and wants were decided and all that was left was to micro-manage some issues like when to paint, when to pour the resin and how to add the snow. During the build last issue, as always no matter how good you plan things, there were some things that weren't accounted for that might pose some troubles and problems later during the build. First of those were how to gather all the loose texturing material without simply chucking it all away in the yard. Also, pouring in the resin and adding the snow needed careful planning in order not to accidentally mess and ruin previous work. For instance, if I opted to put static grass, I'd need to put it before pouring in the resin to prevent stray static fibres from getting accidentally stuck in the resin while it cured. Also, protection of details (like river, cliffs and tufts/static grass) would be crucial before adding the snow to prevent snow from completely covering them.

After a short think, I came up with this list of tools and materials that I would need to finish this board:
- glues - PVA 1kg, 1x10g Superglue
- paints and spreys - 6 Pebeo Deco Paints (Black, White, Grey, Brown, Ochre and Ash), one black, ash, off white and pure white matt acrylic spreys and one clear matt acrylic sprey
- large brushes No 90, No 40
- airbrush
- brush size 16
- several roots
- static grass tufts and scatter (three to four sorts)
- Clear Water gel by Ammo by Mig Jimenez
- Resin (Gedeo Crystal Resin)
- Pebeo Vitrail Sky Blue paint
- 20-ish pine trees
- NOCH icicles
- NOCH snow products (2 packages)
- NOCH ice crystals
- snow foam in a sprey can
- scalpel blade
- scissors
- masking tape
- thin card (several pieces)
- portable hand-held vacuum cleaner

Preparation work

As mentioned before, last issue I left the entire table covered with texture material – sand and gravel. As I didn't make a mixture of water, PVA glue and sand/gravel, opting to first put PVA glue and sprinkle the texture over it, it was now necessary to remove the excess sand, gravel and pebbles from the board. Normally, when doing terrain, I would suggest usine a large cardboard lid and simply turn over the terrain over it. However, my board is 90 x 90 cm with well over 5kg now and I didn't have a large enough receptical to gather all the leftover texturing material. Simply turning it over the floor of my garage was also out of the question. To gather all (or most) of the texturing material, I used a small hand held battery powered vacuum cleaner that housekeepers use for collecting breadcrums in the kitchen. A couple of minutes of vacuuming, removed most of the excess material. Rest was lost alas when I turned the board over in my back yard. But I did manage to salvage almost an entire jar worth of basing material.

Undercoat

When the excess texture material was removed, I could proceed with the painting. First step as always was to undercoat the board. This time, I would use four different spreys to do the undercoating. All the main textures (apart from the cliffs and the river) were undercoated black. Rest of the surfaces, notably: cliffs, boulders and river) was first undercoated white followed by a layer of off white and ash spreys. When these were dry, I then overspreyed those surfaces lightly with pure white sprey again. In the end, I turned back to black sprey to repair the sloppy spreying in places.

Airbrushing the washes

The next step in painting was to airbrush some washes to the riverbed and all the stone parts (cliffs, river banks and boulders). I used these washes: • Coelia Greenshade • Athonian Camoshade • Druchii Violet • Nuln Oil • Seraphim Sepia • Agrax Earthshade

For the riverbed, I used only the Coelia Greenshade, Athonian Camoshade and Nuln Oil. On the stone parts, I used all of them with repeats of Nuln Oil and Coelia Greenshade. As these colours were washes, the drying period between the layers was long. To shorten this period, I used an old hair dryer to speed up the drying process. Remember to always airbrush (and sprey from sprey cans) in a well ventilated areas!

Painting the texture

When I was done with applying the washes to the cliffs and the river, it was time to paint the rest of the surfaces on my board. Apart from the river and the cliffs, there were two distinct surfaces to paint. One was the normal ground, the other road and paths. I decided to paint all those surfaces with an initial layer of drybrushed Pebeo Brown. To apply it, I used the biggest brush I could find – size 90. Once the layer was dry, I applied a layer of Pebeo Ochre to the road and paths only. Again, when this layer was dry, I painted the entire surface with a drybrushed layer of Pebeo Ash. The difference in the layers due to the Ochre colouration on the paths and road is still visible. At this point, I would normally stop painting. Maybe adding a final highlight of pure Pebeo Antique White to the most raised surfaces only. However, most of this board would be covered with snow, so I decided to push the colour even whiter. I added two more layers to all the surfaces. First was with the afore mentioned Pebeo Antique White and the latter was done with pure Pebeo White. Note that the difference between the normal ground texture and the paths/road surface is still visible. Also, you may notice that the paintjob was not as tidy as it could have been. The reason behind this was two-fold. First, I was rushing the job a little. Second, I didn't go back as I would normally, only because I was aware that most of the surfaces would be covered with snow in the end. A careful reader/viewer may notice some white-ish marks in the road that mark the spots where some pebbles were glued that got knocked of during painting. These I also did not go back to repair. I would simply cover those places with either snow or grass tufts to save time.

Painting the cliffs

Painting the cliffs was relatively simple. I just drybrushed some Pebeo Grey followed by Pebeo White. I then realised, that these layers covered almost the entire airbrushed washes effects. So I decided to turn back to my airbrush and re-apply those layers, using Coelia Greenshade, Athonian Camoshade, Druchii Violet and Nuln Oil. This time, I did not wait for the layers to dry. Instead I opted for the washes to mix freely due to the pressure applied from the airbrush.

Making the river

After the paintjob, it was time to make the river. Most of the river had river banks made from schist in the last issue. However, there was a part that had a low crossing which didn't have any elevation from the rest of the riverbank. To make the river bed one whole, I needed to model some sort of an embankment to prevent the resin from spreading to the road. The job fell on Clear Water gel by Ammo by MIG. It is a white paste that dries clear. Using a small brush, I made a small embankment that was 2-3mm high and I left it to dry over night.

Unfortunately, that night the rain started to fall and the temperature dropped down significantly. This caused the effect not to dry completely. It still remained white. As I was chasing a deadline, I decided to proceed with the resin pouring despite it not being clear. I could always cover this part with snow at a later point.

For the river, I opted to use Gedeo Crystal Resin. A quick calculation based on rough estimations of the river being 5cm wide and 90cm long coupled with my wish for the river to be 1-2mm deep, produced the result that I needed 45-90ml of resin. The Gedeo Crystal Resin is my resin of choice, mostly because it is a two component resin that is mixed in 2:1 volume ratio. This makes it really easy to use in almost all volumes neccessary. During the airbrushing, I spent all of my Nuln Oil. Fortunately, I saved the 24ml bottle. Using two fills of resin (48ml) and one fill of hardener (24ml) ensured that I hade 72ml of resin. Almost perfect for my river. To slightly tint the resin, I used Pebeo Vitrail Sky Blue colour. Remember to add the colour after you mixed the resin and the hardener to ensure the resin sets properly.

Also, the resin mixture is quite volatile and can even produce some heat as the curing is an exothermic reaction so the use of protective gloves is recommended.

Adding pigments

At this point I still was not satisfied with the look of my cliffs so I decided to add some pigments to it. Using rust and ochre pigments applied randomly throughout the cliffs, I added some subtle tones. In places those were not so subtle. I fixed the pigments using AK Interactive Pigment Fixer using a large brush (size 16).

Roots on the cliffs

To add some further variety to the cliffs, I decided to add some roots. If you remember from last issue, I went on a hike to the hills where I gathered some stones I used to make cliffs with. On the same hike, I also gathered some roots from an overturned tree stump. These, when washed, make excellent trees, dried shrubs and even roots in our small scale. Using super glue I fixed them in desired places making sure I glued their both ends. This way, they wouldn't be so easy to dislocate during gaming. Alternatively, you can always pin them using a really thin wire.

Adding snow to the pine/fir trees

Next step was to add the trees. I decided I would use NOCH fir/pine trees that come in a bag of 50. I would plant 20 of them to my board. Before gluing them to the board, I decided to paint them white and add some snow. First I spreyed them using a white matt acrylic sprey. This was still not white enough for me, so I used Pebeo White applied with a size 16 brush cut for drybrushing. Be careful, this is a messy procedure and you'll get spreyed white as my T-shirt will attest. When the white colour was dry, I spreyed the trees with snow foam from a sprey can. This added some volume to the snowy effect that I was going for. When the foam was dry, I spreyed the trees with clear acrylic mat sprey to add some strength to the bond between the trees and the snow foam.

Low branches

While the snow was drying on the fir/pine trees I decided to add some more medium to low vegetation to my board. Once again, I turned to the roots gathered on my hike to the hills. I used some cool looking roots that had at least two to three branches to make some low branches that are growing from the cliffs of my board. I glued them arbitrarily around the cliffs, just making sure they do not get in the way of gaming. To glue them in place I used some super glue. If you are worried that the branches might get knocked off, you can always pin them using wire/paperclips to the cliffs.

Ice on the river

With the resin now totally cured, I had to add some ice on the riverbanks. Fortunately, during Iron Painter, I discovered a cool product used by railroad modellers to add ice to their rivers. It is made by a german company called NOCH. Their Ice Crystals comes in a rubbery tube and is some sort of paste that can be applied directly from the tube to a frozen lake, a wintery pond, to the street or to windows and subsequently be easily modelled with a brush. Once dry it gives the shimmering effect of ice. I used a large brush (size 16) to apply it to my river banks. I made sure that the layer wasn't uniform making it narrower and wider, lower and higher and I even placed a couple of pieces inside the river.

Also, once dry, you can add some Clear Water gel from Ammo by Mig to form a stream if you wish. I decided not to as I wanted my river not to be rapids.

Icicles

Another NOCH product I discovered while doing Iron Painter back in 2017 was the NOCH Icicles tube. This is really easy to use product that comes out of the rubber tube as a small worm. It is obviously some sort of resin that dries clear and has quite high a rigidity. Perfect for making icicles. I decided to use them only around the river on the cliffs and low branches. This way, the branches when covered with the NOCH Icicles, not only would they look frozen, but would be more rigid which will prevent breakage during gaming.

Low vegetation

Since the majority of the board would be covered with snow, I decided not to use generic static grass, but opted for a slightly more expenisve tufts. The tufts I used are from Gamer's Grass and they come in a number of colouration, height and size. I used 12mm, 6mm and 4mm long tufts in beige, winter, dry and autumn colouration, as well as spikey variant which added quite some character to the cliffs underneath which I glued them using PVA glue.

Gluing the pines

Depending on the sort of trees you have, you can fix them to your board in several ways. First, and the easiest, is to glue the trees using PVA glue. Since my trees had the roots made in the bottom, I chose this method. Not only do they provide wide enough an area for the glue to work, the fact that the roots were modelled made them realistic enough to use as is. However, some trees come on a circular base (about 2cm in diametre). If you use those, my advice would be to remove the circular base and add a wire pin (using a pin vice or a dremel). This will provide added strenght to the bond. Around the tree, I would then suggest planting some low vegetation (or snow in this case) to hide the fact that there is no root present.

Adding the snow

The last thing to add to this board will be the snow. My initial plan was to cover the entire board (minus the river, most of the cliffs, roads and paths) with several layers of NOCH snow products glued by a thick layer of PVA glue. However, that seemed like a waste of material (both the snow product and PVA glue) so I decided only to use the NOCH snow underneath the trees. I applied a thick layer of PVA glue around the trees and using a large spoon sprinkled the snow product. Also, at this time I used a watered down mixture of PVA glue, water and white paint to cover some of the ice surfaces on the river. Those areas were also covered with snow product.

Rest of the surfaces, I sprinkled with snow foam from a sprey can. In all, I used two sprey cans. Around the sensitive areas like river, cliffs and tufts I used some thin card to protect them from the sprey. Once dry, I spreyed some clear matt sprey to add strenght to the effect. This way, I saved both money and time as this is truly a fast method. Eventually, due to gaming on the board, I expect some of the snow to peel of. However, the snow foam from a sprey can costs less than 2 USD so the cost of repairing isn't high.

The finished product

After a couple of weeks of building on and off, my board was finished. In total, it cost less than 100USD with all the materials used (over half of which is resin and fir/pine trees).

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Seb's Top Tip - paintRack app

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	Here's a little tip for hobbyists that have been useful for me lately.

	It's a phone app called paintRack. 

	

	It's an app made specifically for our hobby, and has many useful features. 

	 

	Among these features are the Library where I register every paint color I own and from which paint brand. This gives me a good overview and I can always refer to it when I'm planning a project. 

	 

	Sets is where I write down my color schemes for different projects, so I'll remember them if I ever have to reproduce them again in the future. 

	 

	

	 

	Color tools is my most used feature. If there's a paint I don't own and I want to know the closest color possible within my paints, I find it and open it in color tools. Someone recommended me Vallejo's Light Brown, but since my local hobby shop doesn't sell Vallejo, I check which other color from for example Citadel or AK is a close match. The feature even provides you with a number showing how close of a match it is. A 0.00 is a perfect match. The closest one here is a 4.10 which is decent.

	 

	

	 

	The color tools also has another useful feature where you can upload any image and select any part of that image, and it provides you with the closest color match. Either from your own paints or all existing paint ranges (you can choose which paint brands you want it to show you).

	 

	

	 

	The last useful thing I want to mention about the paintRack app is something I only discovered recently, as I'm integrating more use of AI in my work and hobby. From the app you can export your library list of paints as a file. In my case I have all my paints registered in the app, so this provides me with an extensive list of all colors I have access to. This list I upload to an AI, and this lets me have a very useful conversation with it about color schemes and paint ideas.

	 

	
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	Evo malog savjeta za hobiste koji mi je u posljednje vrijeme bio koristan.

	To je aplikacija za telefon pod nazivom paintRack. 

	

	To je aplikacija napravljena posebno za naš hobi i ima mnogo korisnih značajki. 

	 

	Među tim značajkama je i Biblioteka u kojoj registriram svaku boju koju posjedujem i od koje marke boje. To mi daje dobar pregled i uvijek se mogu pozvati na to kada planiram projekt. 

	 

	Setovi su mjesto gdje zapisujem svoje sheme boja za različite projekte, tako da ću ih zapamtiti ako ih ikada budem morao ponovno reproducirati u budućnosti. 

	 

	

	 

	Alati za boje su moja najčešće korištena značajka. Ako postoji boja koju ne posjedujem i želim znati najbližu moguću boju unutar svojih boja, pronađem je i otvorim je u alatima za boje. Netko mi je preporučio Vallejo's Light Brown, ali budući da moja lokalna trgovina hobijima ne prodaje Vallejo, provjerim koja je druga boja, na primjer iz Citadel ili AK, bliska podudarnost. Značajka vam čak daje broj koji pokazuje koliko je blizu podudaranja. 0,00 je savršeno podudaranje. Najbliže ovdje je 4,10, što je pristojno.

	 

	

	 

	Alati za boje također imaju još jednu korisnu značajku gdje možete prenijeti bilo koju sliku i odabrati bilo koji dio te slike, a ona vam pruža najbliže podudaranje boja. Bilo iz vaših vlastitih boja ili svih postojećih raspona boja (možete odabrati koje marke boja želite da vam prikaže).

	 

	

	 

	Posljednja korisna stvar koju želim spomenuti o aplikaciji paintRack nešto je što sam tek nedavno otkrio, jer sve više integriram korištenje umjetne inteligencije u svoj posao i hobi. Iz aplikacije možete izvesti popis boja iz svoje biblioteke kao datoteku. U mom slučaju, sve moje boje su registrirane u aplikaciji, tako da mi to pruža opsežan popis svih boja kojima imam pristup. Ovaj popis prenosim na umjetnu inteligenciju, a to mi omogućuje vrlo koristan razgovor s njom o shemama boja i idejama za boje.

	 

	
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Sebastian Søgård, 7th August 2025

WE VISITED: Bayerisches Armeemuseum in Ingolstadt

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	This summer, Željko visited Ingolstadt, and its Bayerisches Armeemuseum is full of military history (albeit with a short gap for obvious reasons).

	  

	The Bavarian Military Museum in Ingolstadt is one of the largest military history museums in Europe. The collections focus on Bavaria in its European context and cover the period from the late Middle Ages to the present day.

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	One of the museum's exhibits is a collection of tin soldier figures. In addition to individual figures and sets, there are also large dioramas of the Battle of Zusmarshausen in 1648, the Battle of Leuthen in 1757, and the Battle of Leipzig in 1813. 

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	  

	For more and better photos, check out our social media.
"
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	Ovog ljeta Željko je posjetio Ingolstadt, a u njemu Bayerisches Armeemuseum prepun vojne povijesti (doduše sa kratkom rupom zbog poznatih razloga).

	  

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	Za više fotografija u boljoj rezoluciji posjetite naše socijalne mreže.
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    ["last_name"]=>
    string(8) "Belinić"
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Krunoslav Belinić, 7th August 2025

March to Hren28 – Armies by UMS Agram members

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Over the past few months, our team has been preparing for the Turnip28 invitational event called H.R.E.N.28 in Slovenia in July. Since the event was a success, we owe you photos of the armies that Mario, Domagoj, Seb and Antoni assembled and painted while we followed them on their journey!

MARIO: „Hugo the tiny, first captain of the Crow knights was maybe born small, but that didn't stop him from having great dreams. After the taming of the swamp bird, he now reigns over his underlings in despite of the jokes the warband tells of the "Tiny stout". He follows Boletus on his quest, but always biding his time for an inevitable coup. The model is based on a "fat knight" 3D print, which is scaled to around 30-ish%. The bird is a plastic stork toy with an added head from a toy pteranodon a friend found on a floor of a Con in Zagreb. The toilet is just a natural progression of the idea.

Followers of the cult of the roaming Proboscis and Boletus' vision. They, along with the lesser fodder, believe in staying alive only by the power of the beast of the swamps. So they listen to Boletus when he said to stay within it's shade at all costs, lest they fall behind and starve. I wanted to make a warband of wandering knights, with all their stuff on them, and the narrative of them trailing an "always moving" beast was perfect. The banners in my warband often represent not only the colors of the cult, but also their ever-moving lifestyle. Brutes made from Perry's foot knights and official torsos from Max.

Set upon his rotting steed, Boletus leads the warband, even though no one remembers how it started. It seems he and the monster were always there, the crows and scavengers alike just trailing the monster's wake. He almost never speaks, and even when he does, it's mostly a whisper. Sometimes it even seems as if the monster listens to him. The mount is a childrens toy baby giraffe, with legs reposed a bit and a mushroom for a head (I got heavily inspired by the official art from the mercenary book). And the rider is a mix of Perry minis limbs and an official torso print. I did a bad job with GS blending and tried to hide it with it looking like the skin falls off, I think it looks good (all considered).

The great Proboscis! The beast's call can be heard through the marshes, at night or day. It seldom rests, and it is seldom peaceful. The Proboscis is called many things, but none know from where it came. Boletus says that it is thawed from ancient ice and corrupted after the apocalypse, but some among the company doubt these words. Yet all in the warband know that it is the beast that keeps them fed, if they stay from it's mouth and preferably out of it's sight. The leftovers of it's meals feed them, and they follow it wherever it roams. This creature is a 3D print of a Platybelodon, to which I added fur, 4 additional trunks, dead trees and mud. I liked the idea of a sassy snob which would get comfortable on it's back, and am glad it turned out well in the end. Really satisfied with this model, and it performed admirably in my battles(when it didn't die due to my horrible dice rolls).

Knights of the Beet. Boletus hired these bastards recently, to help with some "muscle", after the beast decided the last horsemen the had were a tasty snack. He didn't know of their own agenda though. As the followers of the Beet cult, they are already converting some of the party to their vegetal religion. For they know that with time (and luck), all in the "ever marching" warband will march to the Beet. The idea for these horsemen was the first to come up when I decided to represent them all camping and living on the go. This is, in a way, a medieval parody of the way cyclists live when bikepacking - carrying all of their stuff on horses, drying the clothes on the sun etc. The models are Perry mounted men-at-arms with added official turnip torsos.“

SEBASTIAN: „These are the Fiber-nacci’s Fallow Forshippers - the 0.618th. My (finally) painted Turnip28 army. Done in the typical muddy shades of brown for Cist. Tried to give some color with their shells while still keeping the earthy, realistic tones. Knights of Shellwood cult, the sluggish Snail Knight, the shooty Snail Gunner, the wormy Toff and the rest of this empty-shelled army slumped their way into Hren28!“

ANTONI: „Starting off with my hollow, stuffed, blackpowder Fodder and my ruthless Toff, suzerain Wort (who got himself trampled by bastards after his unit abandoned him, and later drowned). I went with The Feast of Charybdis, worshipping the holy raddish (Wort only got the job because he looks like one). Huge thanks to everyone involed in HREN28 for making it such a magical experience!

The very marrow of my cult: The Scuttlers! They are extremely shy, hiding in their citadel atop a walking island. While the crab itself is a toy, the tower and the barnacles are sculpted/kitbashed (and then coated with texture paste and mud). The Citadel's handler is the genius Lord Bum, a slightly-larger-than-average goose and a master strategist. His constant triangulations enable the crab to rise from the silt exactly where it is needed ...30% of the time.

My most dangerous and elite turnip unit: The Cannonards Stump Gun. The danger they pose is mostly directed towards themselves, as they've blown up each time I have deployed them. No matter, the thrill of rolling 3d6 attacks more than makes up for the head-losing chaos.“

Domagoj: „I had a blast painting my mushroom rootlings, led by snobs finally pulled out the big pile of unpainted models - and I could not have imagined a better place to bring my friends gifts to have some fun! I called it the Alemakers legacy - based on mushrooms that are fermenting sweet mashes into alcohol. The core of the band is two units of blackbowder mushroom rootlings led by Lord Fermi, kindly gifted by @gardensofhecate (and thank u for resparking my interest in the hobby), looking for new ways to spread their spores.

The second noble to join the fray was Baron Colguts, lover of rootbeer, leading a feisty troupe of rootlings into battle - his oversized sword replacing his pistol since they have about the same range. Got this mini as a total surprise from @colecifer_xxviii who surprised me how spontaneous and kind hobbyists can be.

The third and final snob is the birdfrog arrived from @uollas_uolsh who is cooler than cool - hope he likes his model representing the key ingrident in beer making! Sir Hops with the big heavy frog cannon - for how can u make beer without adding hops?“

For more photos check our social networks!

And please follow our artists:

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Proteklih mjeseci naša ekipa se spremala za nastup na Turnip28 turniru pod nazivom H.R.E.N.28 u Sloveniji u srpnju. S obzirom da je event uspješno održan, ostali smo vam dužni fotografije vojski koje su Mario, Domagoj, Seb i Antoni slagali, a mi smo ih pratili na njihovom putu!

MARIO: „Hugo, sićušni, prvi kapetan Vitezova Vrana, možda se rodio malen, ali to ga nije spriječilo da ima velike snove. Nakon što je pripitomio močvarnu pticu, sada vlada svojim podređenima unatoč šalama koje ratna družina priča o "Sitnom stoutu". Prati Boletusa na njegovoj potrazi, ali uvijek čeka svoj trenutak za neizbježan udarac. Model se temelji na 3D printu "debelog viteza", koji je skaliran na oko 30%. Ptica je plastična igračka rode s dodanom glavom igračke pteranodona koju je prijatelj pronašao na podu Cona u Zagrebu. WC je samo prirodan nastavak ideje.

Sljedbenici kulta lutajućeg Proboscisa i Boletusove vizije. Oni, zajedno s manjim životinjama, vjeruju u preživljavanje samo snagom zvijeri iz močvara. Stoga slušaju Boletusa kada im je rekao da pod svaku cijenu ostanu u njegovoj sjeni, da ne zaostanu i ne umru od gladi. Htio sam napraviti ratnu družinu lutajućih vitezova, sa svim njihovim stvarima na sebi, a priča o njima kako prate "stalno pokretnu" zvijer bila je savršena. Zastave u mojoj ratnoj družini često predstavljaju ne samo boje kulta, već i njihov stalno pokretni način života. Zvijeri napravljene od Perryjevih pješačkih vitezova i službenih torza od Maxa.

Jašući na svom trulom konju, Boletus predvodi ratnu družinu, iako se nitko ne sjeća kako je sve počelo. Čini se da su on i čudovište oduvijek bili tamo, vrane i strvinari podjednako su samo pratili trag čudovišta. Gotovo nikad ne govori, a čak i kad govori, uglavnom je to šapat. Ponekad se čak čini kao da ga čudovište sluša. Konj je dječja igračka žirafa, s malo uvučenim nogama i gljivom umjesto glave (jako sam se inspirirao službenim crtežima iz knjige o plaćenicima). A jahač je mješavina Perryjevih minijaturnih udova i službenog otiska torza. Loše sam napravio posao s GS blendingom i pokušao sam to sakriti tako da izgleda kao da koža otpada, mislim da izgleda dobro (sve u svemu).

Veliki Proboscis! Zov zvijeri može se čuti kroz močvare, noću ili danju. Rijetko se odmara i rijetko je miran. Proboscis se naziva mnogim imenima, ali nitko ne zna odakle dolazi. Vrganj kaže da se odmrznuo od drevnog leda i iskvario nakon apokalipse, ali neki među društvom sumnjaju u te riječi. Pa ipak, svi u ratnoj družini znaju da ih zvijer hrani, ako ostanu podalje od njezinih usta i po mogućnosti izvan njezina vidokruga. Ostaci njezinih obroka ih hrane i slijede je gdje god luta. Ovo stvorenje je 3D print Platybelodona, kojem sam dodao krzno, 4 dodatna debla, mrtva stabla i blato. Svidjela mi se ideja drskog snoba koji bi se udobno smjestio na njegova leđa i drago mi je da je na kraju dobro ispalo. Jako sam zadovoljan ovim modelom i izvrsno se pokazao u mojim bitkama (kada nije uginuo zbog mog užasnog bacanja kockica).

Vitezovi Repe. Boletus je nedavno unajmio ove gadove da pomognu s malo "mišića", nakon što je zvijer odlučila da su posljednji konjanici koje su imali ukusan zalogaj. Međutim, nije znao za njihove vlastite namjere. Kao sljedbenici kulta Repe, već preobraćuju dio skupine u svoju vegetarijansku religiju. Jer znaju da će s vremenom (i srećom) svi u "vječno marširajućem" ratnom odredu marširati do Repe. Ideja za ove konjanike prva se pojavila kada sam odlučio prikazati ih sve kako kampiraju i žive u pokretu. Ovo je, na neki način, srednjovjekovna parodija načina na koji biciklisti žive kada se bicikliraju - nose sve svoje stvari na konjima, suše odjeću na suncu itd. Modeli su Perryjevi jahači s dodanim službenim torzovima od repe.“

SEBASTIAN: „Ovo su Fiber-naccijevi Fallow Forshippers - 0.618. Moja (konačno) obojana vojska za Turnip28. Napravljena u tipičnim blatnjavim nijansama smeđe za Cist. Pokušao sam dati malo boje njihovim oklopima, a da pritom zadržim zemljane, realistične tonove. Vitezovi kulta Školjkaste šume, tromi Puž Vitez, Puž Topnik koji puca, crvljivi Toff i ostatak ove vojske s praznim oklopima utonuli su u Hren28.“

ANTONI: „Počevši s mojim šupljim, prepariranim, crnim barutom Fodderom i mojim nemilosrdnim Toffom, suzerainom Wortom (kojeg su gadovi pregazili nakon što ga je njegova jedinica napustila, a kasnije se i utopio). Odlučio sam se za Gozbu Haribde, štovanje svete rotkvice (Wort je dobio posao samo zato što i sam tako izgleda). Veliko hvala svima koji su sudjelovali u HREN28 što su ovo iskustvo učinili tako čarobnim!

Sama srž mog kulta: Potapači! Iznimno su sramežljivi i skrivaju se u svojoj citadeli na vrhu otoka za hodanje. Dok je sam rak igračka, toranj i školjke su oblikovani/obrađeni (a zatim premazani teksturnom pastom i blatom). Citadelom upravlja genijalni Lord Bum, guska nešto veća od prosjeka i majstor strateg. Njegove stalne triangulacije omogućuju raku da se izdigne iz mulja točno tamo gdje je potrebno... 30% vremena.

Moja najopasnija i najelitna jedinica za repu: Topnički panj. Opasnost koju predstavljaju uglavnom je usmjerena prema njima samima, jer su eksplodirali svaki put kad bih ih rasporedio. Nema veze, uzbuđenje bacanja 3d6 napada više nego nadoknađuje kaos od kojeg gubite glavu.“

Domagoj: „Super sam se zabavio bojajući svoje korijene gljiva, predvođen snobovima, konačno sam izvukao veliku hrpu neobojenih modela - i nisam mogao zamisliti bolje mjesto za donijeti poklone prijateljima da se malo zabave! Nazvao sam to Alemakersovo nasljeđe - temeljeno na gljivama koje fermentiraju slatke kaše u alkohol. Jezgru benda čine dvije jedinice korijena crnih gljiva predvođenih Lordom Fermijem, ljubazno darovanih od @gardensofhecate (i hvala vam što ste ponovno probudili moj interes za hobi), tražeći nove načine širenja svojih spora.

Drugi plemić koji se pridružio borbi bio je baron Colguts, ljubitelj rootbeera, koji je u bitku predvodio žestoku skupinu rootlinga - njegov predimenzionirani mač zamijenio je pištolj budući da imaju otprilike isti domet. Ovaj minijaturni mač dobio sam kao potpuno iznenađenje od @colecifer_xxviii koji me iznenadio koliko spontani i ljubazni hobisti mogu biti.

Treći i posljednji snob je ptica-žaba stigla od @uollas_uolsh koja je super kul - nadam se da mu se sviđa njegov model koji predstavlja ključni sastojak u proizvodnji piva! Sir Hops s velikim teškim žabljim topom - jer kako možete napraviti pivo bez dodavanja hmelja?“

Za više fotografija bolje rezolucije zapratite naše socijalne mreže.

Molimo vas da zapratite i naše umjetnike:

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Marko Paunović, 6th August 2025

WE TOOK PART IN: H.r.e.n.28 in Slovenia

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Our guys have returned from a successful trip to Medvode in Slovenija where they attended H.r.e.n.28 international invitational event organised by our friends at AmuletD20.

This is a short report consisting of their photos and some thoughts about the event.

MARIO: “ I was delighted with the imagination, effort and goodwill of the organizers. I met new and familiar good people, I think that is the best part of such events. Conversations with artistic passion are always inspiring and I will remember them for a long time. The game itself is very fun (I came with very little experience) and with the help of other players I think I picked up a lot. The terrains and scenarios are the stars of the event with their diversity, and the icing on the cake was the Sunday game Dredge28 designed by Vane, which turned out to be very chaotic and fun (I guess I am a "cannon guy", when it comes to ships). “

ANTONI: “ As we waited outside the club entrance, I don't think any of us had any idea what was in store for us: atmospheric music and lighting, floor-to-ceiling fog, and six gorgeous, made-from-scratch tables. The table allocation system itself went much smoother than I expected - each of us was given a map with our own route through the tables (the first of three games is on the Wall of Teeth table, etc.) so there was never any confusion about who we were playing the next game with and where, since competitiveness and winning were not the focus. When I found out that the table scenarios changed from game to game, I was even more thrilled; there were more scenarios than players! No pair of opponents had the same experience, even if they were playing at the same table. Long breaks between games and a constant flow of coffee allowed us to share unique impressions and there was no stress if someone's game dragged on. As for the company, food and drinks, I take my hat off to the entire AmuletD20 team who entertained us, fed us and made the event possible! 10/10 “

SEBASTIAN: "I’ll never forget the moment we all entered the Amulet d20 space on Saturday morning, ready to begin the event. It was an amazing experience when they opened their doors, and the players got to see what the organisers had prepared for us. Atmospheric ligthing illuminating the whole space, omnious soundscapes coming from the speakers and beautiful boards spread throughout - inspiring, well thought-out boards, with lots of variety, specific lore and flavor, and of course all very playable. I played The Big Fucking Cannon board where Luka shot me to pieces at the end of round 3, The Great Wall of Teeth where the Giant Tongue tabled me (with Dorian’s help of course, particularly his Stump Gun) and Greater Ptui where by killing Vitek’s rootling too close to the glorious hole, his virgin sacrifice was accepted and I lost the game in less than 10 minutes. Overall had a blast, and the Dredge Race on Sunday was exactly as we had hoped once Vane finally let us in on the secret game he had created for the event - chaotic, fun, weird, difficult and flavorful. Huge credit to the organisers for pulling together such a great event, and I truly hope I’ll get to attend something as great as this in the future."

For more photos in better resolution, visit our social pages.

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Naši dečki su se vratili s uspješnog putovanja u Medvode u Sloveniji gdje su prisustvovali međunarodnom pozivnom događaju H.r.e.n.28 koji su organizirali naši prijatelji iz AmuletD20.

Ovo je kratki izvještaj koji se sastoji od fotografija i nekih njihovih misli o događaju.

MARIO: “ Bio sam oduševljen sa maštovitosti, trudom i dobrom voljom organizatora. Upoznao sam nove, i sreo poznate dobre ljude, smatram da je to najbolji dio ovakvih događanja. Razgovori sa umjetnickim žarom su uvijek inspirativni i pamtit ću ih dugo. Sama igra je vrlo zabavna (došao sam s jako malo iskustva) i uz pomoć ostalih igrača mislim da sam pohvatao puno toga. Tereni i scenariji su zvijezde događaja sa svojom raznolikoati, a ŝlag na kraju je bila nedjeljna igra Dredge28 koju je osmislio Vane, koja je ispala jako kaotična i zabavna (izgleda da sam "cannon guy", što se tiče brodova ) “

ANTONI: “ Dok smo čekali pred ulazom u klub vjerujem da nitko od nas nije imao ni približnu predodžbu onoga što nas je čekalo: atmosferična glazba i osvjetljenje, magla od poda do stropa i šest krasnih, od nule izrađenih stolova. Sam sustav raspodjele po stolovima tekao je mnogo glađe nego što sam očekivao - svatko od nas dobio je mapu s vlastitim putem po stolovima (prva od tri igre je na Wall of Teeth stolu itd.) tako da nikad nije bilo nedoumice oko toga s kim igramo sljedeću igru i gdje, s obzirom da kompetitivnost i pobjeda nisu bili fokus. Kad sam saznao da se scenariji po stolovima mijenjaju od igre do igre bio sam još više oduševljen; bilo je više scenarija nego igrača! Nijedan par protivnika nije imao isto iskustvo makar igrali na istom stolu. Duže pauze između igara i konstantan priljev kave omogućili su nam da podijelimo jedinstvene dojmove i da nema stresa ukoliko se nečija igra odužila. Što se tiče društva, hrane i pića, skidam kapu cijeloj AmuletD20 ekipi koja nas je zabavljala, hranila i omogućila sam event! 10/10 “

SEBASTIAN: "Nikada neću zaboraviti trenutak kada smo svi u subotu ujutro ušli u prostor AmuletD20, spremni za početak događaja. Bilo je to nevjerojatno iskustvo kada su otvorili svoja vrata, a igrači su mogli vidjeti što su nam organizatori pripremili. Atmosferična rasvjeta obasjavala je cijeli prostor, svemogući zvučni pejzaži dolazili su iz zvučnika i prekrasne ploče koje su se bile posvuda - inspirativne, dobro osmišljene ploče, s puno raznolikosti, specifičnom pričom i okusom, i naravno sve vrlo igrivo. Igrao sam na ploči The Big Fucking Cannon gdje me Luka na kraju 3. runde upucao na komadiće, The Great Wall of Teeth gdje me je Divovski jezik izbacio na stol (uz Dorianovu pomoć, naravno, posebno njegov Stump Gun) i Greater Ptui gdje je, ubivši Vitekovog rootlinga preblizu slavnoj rupi, njegova žrtva djevice bila prihvaćena i izgubio sam igru za manje od 10 minuta. Sveukupno, bilo je odlično, a Dredge Race u nedjelju bio je točno onakav kakav smo se nadali kada nas je Vane konačno pustio u tajnu igru koju je stvorio za događaj - kaotičan, zabavan, čudn, težak. Velike pohvale organizatorima što su organizirali tako sjajan događaj i iskreno se nadam da ću u budućnosti imati priliku prisustvovati nečemu ovako sjajnom."

Više fotografija u boljoj rezoluciji možete pogledati na našim socijalnim mrežama.

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Krunoslav Belinić, 6th August 2025

Agram Group Build #Project2 – part 4.

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	From 2021, the Association also organizes group projects for its members in which several members participate at once. The program called Agram Group Build was created after our members discussed joint projects on Wednesdays and how it would be convenient to gather more people on Wednesdays at our Hobby corner to work on a common "something"... #Project2 presents a dieselpunk diorama of a flying island with a fast food stand and several docks for flying cars, and the wonderful art of Alejandro Burdisi serves as a template. The main effects on the diorama will be LED lighting, but also the application of the tensegrity principle.

	  

	As we announced last time, we started checking the electronic components. Dunja brought us micro LEDs in various colors: cool and warm white, green, red and blue. The first step was to see how to connect the LEDs to the power supply. Unfortunately, it was not successful, because obviously LEDs of different colors use different voltages and consume different amounts of current, so further testing will be needed to determine what the exact values are so that Marko can calculate the resistors that are apparently needed to stabilize the system. Namely, like this, some LEDs shine very brightly while others are quite dim, and some do not shine at all.

	  

	Last week, Marko also acquired the vehicles for the diorama – two cars and a truck that we will convert into flying vehicles (Renault, Citroen and the Spanish Sava work truck). To make sure the meetup doesn't go to waste, we tested how the Renault would look with LEDs. There will be two cool white lights at the front, two red lights at the back, and a green one in the cabin on the dashboard.

	  

	In addition, we have made a first draft of the entire diorama (see the introductory image) which finally shows the arrangement of elements and vehicles.
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	Od 2021. Udruga za svoje članove organizira i grupne projekte na kojima sudjeluje više članova odjednom. Program pod nazivom Agram Group Build je nastao nakon što su naši članovi srijedama razgovarali o zajedničkim projektima i kako bi bilo zgodno okupiti više ljudi srijedama na našem Hobby kutku srijedom i to oko rada na zajedničkom „nečemu”… Projekt #2 predstavlja dieselpunk dioramu letećeg otoka sa štandom za fast food i nekoliko dokova za leteće automobile, a kao predložak služi nam predivan art Alejandra Burdisija. Glavni efekti na diorami biti će LED rasvjeta, ali i primjena tensegrity principa.

	  

	Kao što smo prošli put najavili, krenuli smo sa provjerama elektroničkih komponenata. Dunja nam je donijela mikro LEDice u raznim bojama, hladna i topla bijela, zelena, crvena i plava. Prvi korak bio je da vidimo kako spojiti LEDice na napajanje. Na žalost nije bilo uspješno, jer očito LEDice raznih boja koriste različiti napon i troše drugačije jakosti struje pa će trebati daljnje testiranje da ustanovimo koje su to točno vrijednosti pa da Marko može proračunati otpornike koji su očito potrebni da ustabile sustav. Naime, ovako, neke LEDice sjaje jako sjajno dok su druge dosta tamne, a neke uopće ne svijetle.

	  

	Proteklog tjedna Marko je nabavio i vozila – automobile i kamion koje ćemo pretvoriti u leteća vozila (Renault, Citroen i španjolski radni kamion Sava). Da baš sve ne propadne, isprobali smo kako bi Renault izgledao sa LEDicama. Naprijed će biti dva hladno bijela svijetla, otraga dva crvena, a u kabini zeleno na instrumentnoj ploči.

	  

	Pored toga, napravili smo i prvi nacrt cijele diorame (vidi uvodnu sliku) na kojoj se konačno vidi i raspored elemenata i vozila.
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Krunoslav Belinić, 24th July 2025

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Kill Team - Blooded vs. Vespid Stingwings 28th February 2025, GW - Warhammer 40.000, and Antoni Pastuović (Imperial Guard)

22nd April 2022, GW - Warhammer 40.000, Borna Pleše (Space Marines) and Kristijan Kliska (Tau Empire)

17th November 2021, GW - Warhammer 40.000, and Nino Marasović (Space Marines)

Association of miniature collectors, modellers and tabletop wargamers "Agram"

Building a Gaming Board – pt 2.

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