Necron Destroyer

Tomislav Petrović, 21nd July 2021

On the necron itself, I didn’t perform anything special as far as converting was concerned except adjusting the pose and cutting the left hand holding the rifle. The base is a little more complex. The stone slabs are made of balsa, the barrels are from GW’s 40k accessories sprue, a bit of slime glue, a bit of thick mesh for the fence windows. The light pole is made of Patton 1:35 tank tubes with a combination of Lego bricks, some parts of Apache 1:48 and some other little things.

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In the last picture, you can see another feature of this miniature, ie the light pole lamps are bright to point out, or to be precise, the broken lamp hanging on the wires is flashing, and the other whole is just lit. In the vertical barrel there is a 1.5 V LR1 (SN) battery, in the reclining barrel there is a circuit that controls the oscillating diode, and below the "ground" there is a circuit that allows the second diode with a voltage characteristic of 3V to light connected to 1.5V. There is a microswitch on the lighting pole itself, which turns the diodes on and off as desired.

The most common comments on my luminous necron were, "How could you?"

I guess most people are not up to digging on the net and looking for schemes, spending money on electricity. elements, burns from a soldering iron, etc., but in case there is someone interested in adding light effects to their miniatures or a private collection of terrain, here are a few pictures and some useful tips.

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To assemble an assembly that allows the LED to light or flash, you need the following elements:

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-LED (light emitting diode) of 3V diameter according to your wishes (there are 3mm, 5mm ...)
-electrolytic capacitor of 100 microfarads and 63V
-capacitor depending on the flicker speed you want to achieve (0.01 microfarad gives a flicker frequency of 1Hz, 0.001 microfarads of 10Hz, etc.)
-voltage converter ICL7660 or ICL 7660S (integrated circuit)
-housing for voltage converter
-insulated wire for connecting elements
-1.5 V battery


-tools: pliers cutters, soldering iron, soldering wire, not necessary but sometimes a voltmeter / ammeter comes in handy.

These elements are connected according to the following scheme:

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VOLTAGE CONVERTER (ICL 7660 or ICL 7660S):

The first thing to know is how to determine which pin is on the voltage converter - Place it in front of you so that the point / hole on the top of the integrator is on the left. The integrator has eight pins and they go in this order: bottom row from left to right 1-4, top row from right to left 5-8. ()

Another important thing about integrators is that they are very sensitive to high temperatures. Since the soldering iron develops approx. 180-420 C, direct soldering to the integrator pins will probably burn it out. Instead, obtain an integrator housing with eight pin holes and solder everything to the housing pins, and when the soldering is complete, insert the integrator into the housing.

ELECTROLYTIC CAPACITOR (C2):

It has its two legs, one of which is + pole and the other-pole. Minus the pole is marked on the el. capacitor. It is very important to connect it exactly as it is drawn in the diagram, ie + half of the condom on pin 2 of the integrator, and - half of the condo on pin 4 of the integrator. This is important because electrolytic capacitors, unlike ordinary ones, are precharged to a certain voltage (in our case to 63V) and in the case of a wrong connection when they are connected to the power supply, they explode.

CAPACITOR (C1):

Unlike electrolytic ones, ordinary ones are not precharged, they have an air gap and not electrolytes, and it doesn't matter which pin you connect to pin 7 and which to pin 8. Take care only of the oscillation frequency you want to achieve.

LED:

LEDs are semiconductor elements that emit light when they are powered. The advantage of LEDs over light bulbs is that they consume much less electricity and do not burn out. The LED has two electrodes, the anode is longer (+), and the cathode is shorter (-). The anode is connected to the positive pole of the source and the cathode to the negative. In the case of a reverse connection, nothing will most likely happen to the LED, but it will not light up either.

Similar to integrated circuits and LEDs, they are sensitive to high temperatures and can burn out during prolonged soldering. I advise you to stick the pliers to the electrode you are currently soldering (between the tip of the LED and the place you are soldering) when soldering the LEDs. In this way, the pliers will serve you not only to hold but also to dissipate heat.

The diagram still shows an element marked R1 and is drawn intermittently. It’s a photodiode and it serves to keep the LED from shining in daylight - for some sort of battery saving. Feel free to take it out of the circuit, but rather add a switch between pin 3 and the half of the battery so that you can turn off and turn on the LEDs as desired.

This circuit allows the LEDs to vibrate at a certain frequency. If you want your LED to light up constantly, simply remove capacitor C1 from the circuit and connect everything else.

The advantage of this circuit is that it allows the LEDs provided for a 3V power supply to be lit only at 1.5V. This in turn gives a greater choice of suitably small batteries.

In the end for those who put in the effort and read the entire post to the end, this seems harder and more complicated than it really is. I tried to write explanations so that the circuit can be assembled by someone who has no idea what a capacitor is, for example. Honestly, I don't fully understand some things either (what exactly does C2 do in the circle: -k). My point is, if you have never done anything like this, it is still enough to buy the elements and connect them as shown in the picture and to illuminate for example the landing drop for 40k.

Latest articles

  • Miniature Painting Workshop - 75mm Dwarf
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    On 09-10.05.2026. we held a new weekend miniature painting workshop. This time it was the turn of a dwarf in 75mm scale.

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    The workshop was held over two days (a whole weekend) and the participants painted a 75mm miniature dwarf. The focus of these lectures was painting various textures - metal, human skin, textiles and leather. Water-based acrylic paints were used in the workshop. For this purpose, the workshop leader, Ivan Knezović, chose a 75mm miniature dwarf from Durgin Paint Forge, sculpted by Carlos Perez Bugedo. The lectures were adapted so that the leader devotes equal time to all participants and can be adapted to all categories of miniaturists (from beginners to slightly more advanced).

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    The workshop took place as follows:
    First, the lecturer sits at his desk and explains and demonstrates each step in painting a miniature/model on his specimen. His work is displayed on a screen via a camera and projector, which the participants listen to, watch, and ask questions about.
    Then, the participants sit at their desks and apply the knowledge they have gained. The facilitator circulates among the participants and checks how each participant is doing. This way, he or she can adapt to each participant individually.

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    The workshop will include the following thematic units:
    1. NMM (Non metallic metal)
    2. Reflections of ambient colors on metal
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    6. Extracting textures from fabric, metal and leather

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    POWERED BY: Carta MagicaFireball FigurinesDurgin Paint ForgePlaysupport

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    09-10.05.2026. smo održali novu vikend Radionicu bojanja minijatura. Ovoga puta na redu je bio patuljak u 75mm mjerilu.

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    Radionica se provodila kroz dva dana (cijeli vikend) i polaznici su bojali 75mm minijaturu patuljka. Fokus ovih predavanja bilo je bojenje raznih tekstura – od metala, ljudske kože, tekstila i kože (leather). U sklopu radionice korištene su akrilne boje na bazi vode. U tu svrhu, voditelj radionice, Ivan Knezović, izabrao je 75 mm minijaturu patuljka tvrtke Durgin Paint Forge, koju je sculptao Carlos Perez Bugedo. Predavanja su prilagođena tako da voditelj posveti jednako vrijeme svim polaznicima i može se prilagoditi svim kategorijama minijaturista (od početnika do malo naprednijih).

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    Radionica se odvijala na sljedeći način:
    Prvo, predavač sjedi za svojim stolom te objašnjava i demonstrira pojedini korak u bojanju minijature/makete na svojem primjerku. Njegov rad se preko kamere i projektora prikazuje na platnu što polaznici slušaju, gledaju, ali i postavljaju pitanja.
    Potom, polaznici sjedaju za svoje stolove i primjenjuju stečeno znanje. Voditelj kruži između polaznika i provjerava kako svakom polazniku ide. Na taj način, može se prilagoditi svakom polazniku ponaosob.

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    Radionica će uključivati sljedeće tematske cjeline:
    1. NMM (Non metallic metal)
    2. Refleksije boja iz okoline na metalu
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    4. Bojanje lica (muškog)
    5. Dodavanje živosti na lice (filteri)
    6. Izvlačenje tekstura tkanine, metala i kože (leather)

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    POWERED BY: Carta MagicaFireball FigurinesDurgin Paint ForgePlaysupport

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    Ivan Knezović, 26th May 2026
  • We visited: Festival Svet v Malem 2026, Pivka, Slovenia
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    On May 23, 2026, we participated in the international plastic model making competition Festival Svet v Malem 2026 in Pivka, Slovenia.

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    The competition is traditionally held at the Military History Park in Pivka.

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    23. svibnja 2026. sudjelovali smo na međunarodnom natjecanju u plastičnom maketarstvu Festival Svet v Malem 2026 u Pivki u Sloveniji. 

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    Natjecanje se tradicionalno održava u Parku vojne povijesti u Pivki.

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    Krunoslav Belinić, 26th May 2026
  • We visited: KupKA 2026
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    On May 16, 2026, we participated in the international plastic model making competition KupKA held at the Museum of the Homeland War in Karlovac.

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    The competition was organized by the Slavoljub Penkala Modeling Club from Zagreb.

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    Thanks to the organizer for an interesting competition, to the judges for some medals, and especially to my colleagues from the Maketarski Club Novi Sad - IPMS Serbia for the medal!

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    " ["content_hrv"]=> string(3602) "

    16. svibnja 2026. sudjelovali smo na međunarodnom natjecanju u plastičnom maketarstvu KupKA održanom u Muzeju domovinskog rata u Karlovcu.

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    Natjecanje je organizirao Maketarski klub Slavoljub Penkala iz Zagreba

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    Hvala organizatoru na zanimljivom natjecanju, sucima na ponešto medalja, a pogotovo kolegama iz Maketarskog Kluba Novi Sad - IPMS Srbija na medalji!

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    Marko Paunović, 26th May 2026
  • Back to Basics Workshops in Gallery VN
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    In May 2026 we held our Back To Basics miniature painting workshops for the youngest in Gallery VN.

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    The workshops were completely FREE for all participants!

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    The Back to Basics method is a method of making models and miniatures that focuses on a fun process intended for younger ages, but everyone is welcome! In three separate sessions on Thursdays, participants (aged 7+) painted miniatures of their choice (knight, princess, king, wizard and barbarian). 

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    1st session: Painting miniatures of choice, Thursday, 07.05. - from 18:00 to 19:00

    2nd session: Painting a miniature of your choice, Thursday, 14.05. - from 18:00 to 19:00

    3rd session: Painting a miniature of your choice, Thursday, 21.05. - from 18:00 to 19:00

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    U svibnju 2026. održali smo naše Back To Basics radionice za najmlađe u Galeriji i čitaonici VN.

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    Radionice su bile BESPLATNE za sve polaznike!

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    Back to Basics metoda je metoda izrade maketa i minijatura kojoj je fokus na zabavnom procesu namjenjenom mlađim uzrastima, ali svi su dobrodošli! U tri zasebna termina četvrtkom, polaznici (od 7+) su bojali minijature po izboru (vitez, princeza, kralj, čarobnjak i barbarin).

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    1. termin: Bojenje minijature po izboru, četvrtak, 07.05. - od 18:00 do 19:00

    2. termin: Bojenje minijature po izboru, četvrtak, 14.05. - od 18:00 do 19:00

    3. termin: Bojenje minijature po izboru, četvrtak, 21.05. - od 18:00 do 19:00

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    Krunoslav Belinić, 26th May 2026
  • Painting Faces at Tabletop Level
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    In this short article, I will describe two ways to paint faces on a so-called tabletop standard. The text follows two versions of the painting. One will use a store-bought wash, and in the second, slightly less contrasting one, I will use a wash that I got from regular paint. This way, the reader can choose which method suits them better.

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    The first step is to dye the base color.

    Left: Since I'm going to use a store-bought wash in this example, I decided to go for a darker shade of skin tone.

    Right: In this example, I'm going to use the color as a base for the wash, so I decided to go for a slightly lighter skin tone - and therefore a lighter base color.

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    The next step is to apply the wash.

    Left: I use a regular, store-bought Reikkland Fleshshade wash.

    Right: On a drop of the darker skin tone, I add two drops of Lahmian Medium and a drop or two of water. This creates my own wash, which I apply similarly to the example on the left.

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    Then comes the first highlight.

    Left: I apply the base color to the raised parts of the face and thus get the first highlight.

    Right: Just like in the example on the left, I use the base color as the first highlight.

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    Then the second highlight.

    Left: I get the second highlight by mixing the base color with a lighter shade.

    Right: I follow the same process as on the left, with the caveat that I never use pure white to mix the highlight, it's always an off white – with a minimal amount of some pigment.

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    The penultimate step is to outline the eyes.

    Left: This step is identical in both cases.

    Right: I outline the eyes with some off-white paint (to make my life easier, it's usually two lines).

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    The last step is to add shadows around the mouth and eyes.

    Left: In this case, you can use a darker wash like Nuln Oil or Druchi Purple.

    Right: I mixed black and purple and added two drops of Lahmian Medium and a drop or two of water to create a darker wash, then applied the mixture to the eye sockets, making sure not to get the wash on the previously drawn eyes.

    And the last thing is drawing the pupils – just vertical lines of dark/black color against the horizontal light lines for the eyes.

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    U ovom kratkom članku, opisat ću dva načina za bojanje lica na takozvanom tabletop standardu. Tekst prati dvije verzije bojanja. Jedna će koristiti kupovni wash, a u drugoj, malo manje kontrastnoj koristit ću wash kojeg sam dobio iz obične boje. Na taj način, čitatelj može izabrati koji način mu više odgovara.

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    Prvi korak je bojanje u osnovnu boju.

    Lijevo: s obzirom da ću na ovom primjeru koristiti kupovni wash, odlučio sam se za tamniju nijansu boje kože.

    Desno: u ovom primjeru koristit ću boju kao osnovu za wash, tako da sam se odlučio za malo svjetliju nijansu kože – a samim time i svjetliju osnovnu boju.

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    Sljedeći korak je stavljanje wash-a.

    Lijevo: Koristim običan, kupovni Reikkland Fleshshade wash.

    Desno: Na kap tamnije nijanse boje kože stavljam dvije kapljice Lahmian Mediuma i kap do dvije vode. Na taj način dobivam vlastiti wash kojeg nanosim slično kao i na lijevom primjeru.

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    Zatim ide prvi highlight.

    Lijevo: Nanosim na izdignute dijelove lica osnovnu boju i na taj način dobivam prvi highlight.

    Desno: Jednako kao i u lijevom primjeru, kao prvi highlight koristim osnovnu boju.

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    Potom drugi highlight.

    Lijevo: Drugi highlight dobivam mješajući osnovnu boju s nekom svjetlijom nijansom.

    Desno: Pratim isti proces kao i lijevo, uz napomenu da nikada ne koristim čistu bijelu boju za miješanje highlighta, uvijek je to neki off white – s minimalnom količinom nekog pigmenta.

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    Predzadnji korak je iscrtavanje obrisa očiju.

    Lijevo: Ovaj korak je identičan u oba slučaja.

    Desno: Nekom off white bojom iscrtam obrise očiju (da si olakšam život, to su najčešće dvije crtice).

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    Zadnji korak je dodavanje sjena oko ustiju i očiju.

    Lijevo: U ovom slučaju, možete koristiti tamniji wash poput Nuln Oil ili Druchi Purple.

    Desno: Pomiješao sam crnu i ljubičastu boju te dodao kap dvije Lahmian Mediuma i kad do dvije vode da dobijem tamniji wash te smjesu nanio u očne šupljine pazeći da wash ne dođe na prethodno iscrtane oči.

    I zadnja stvar je ucrtavanje zjenica – samo okomite crtice tamne/crne boje u odnosu na horizontalne svijetle crte za oči.

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    Marko Paunović, 20th May 2026

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